Paul Revere & The Raiders - Midnight Ride With Paul Revere & The Raiders 1966 (2000 Sundazed)

Midnight Ride marked just about the pinnacle of Paul Revere & the Raiders' history as a source of great albums. Even more to their credit, most of the music on Midnight Ride was written by the bandmembers themselves, and not just Mark Lindsay and Paul Revere, but Phil Volk, Drake Levin, and Mike Smith getting a shared songwriting credit.

The irony is that this was the last album on which that egalitarian spirit was to dominate; alongside the tight, hard, eminently danceable rock & roll sounds that comprise about two-thirds of this album, there are signs of the softer, more introspective balladry that lead singer Mark Lindsay was starting to favor in his songwriting ("Little Girl in the Fourth Row," etc.). It was this stylistic break, coupled with disputes over which bandmembers were to get their songs represented on the group's albums, that led to Levin's departure following the release of this album, which helped precipitate a stylistic drift away from the sound that defined the group.

The Sundazed reissue, released in February 2000, has been remixed from the original three-track session masters, yet remains true to the band's original sound, and the album has been enhanced with the presence of three rocking bonus tracks (two of them car songs -- cool!). "Kicks" is still the coolest song here, but the Sundazed version rocks a lot harder with the extra tracks, and is a lot more fun.

There are also new notes by Volk and Levin, in which both look back with honesty yet a great deal of warmth and enjoyment for what they did, and what they were doing around the time of this album.(allmusic.com)

This is really are real good effort by the band and maybe their best.
It's a really fun album
Enjoy
         Frank    Flac p1  &  Flac p2        -  mp3@320

Pilot - Magic-A Golden Classic Edition (1974) (1997 Collectables) mp3 & Flac

Collectables' Magic is a retitled reissued of Pilot's eponymous debut album, boasting five bonus tracks: "Just Let Me Be," "January," "Do Me Good," "The Mover" and "Canada." With its swirling keyboards and falsetto vocals, "Magic" became one of the great one-shots of the '70s, and it shouldn't come as a surprise to anyone familiar with one-hit wonders that Pilot's accompanying full-length isn't as good. Despite the lack of strong material, the album is hardly without merit. Pilot, along with producer Alan Parsons, crafted an album of light prog-rock and melodic soft pop-rock. All of the album sounds terrific, and there are some catchy melodies, but there aren't many great songs, just a lot of adequate ones. As a result, it's simply an artifact of its era, but it's an enjoyable one at that.(allmusic.com)

I can't agree in nothing what allmusic say here about the songs. I would love to see Mr Erlewine making music, writing songs, producing records, performing... i better stop here. :-)
There were not many better british pop albums 1974.

Have fun
               Frank   Flac p1  & Flac p2  & Flac p3          - mp3@320

PsychedelicPop/Rock by Glass Prism - Poe Through The Glass Prism 1969 (2012 Flawed Gems) Flac & mp3@320

The debut release from Pennsylvania quartet Glass Prism sets the poetry of Edgar Allan Poe to grandiose psychedelic arrangements -- the concept's more than a bit suspect, of course, but there's no denying the album's ambition or its execution.

Both Tom Varano and Augie Christiano are imaginative composers skilled at folding classical and jazz precepts into the hard rock idiom, and their nuanced arrangements (dominated by chiaroscuro shades of funereal organ) artfully convey the melancholy and macabre at the heart of Poe's verse. Equally impressive are Glass Prism's four-part harmonies, employed most effectively on songs like "El Dorado."(allmusic)

Psychedelic sounds from Pennsylvania.
Have fun

Cheers
           Frank     Flac p1  &  Flac p2  -   mp3@320     

Dogs - Too Much Class For The Neighbourhood 1982 (1992 Epic Records) Flac & mp3

Another great album from this "most forgotten" French band. There aren't a whole lot of "punk" bands that come to mind when one thinks of France in the 1970's, but the Dogs played plenty of gigs and proved that France could rock with the best of 'em. This isn't really a punk record, per se, but one that instead strongly leans toward a melodic, 60's pop/garage rock feel. If power pop's your thing, this will be right up your alley. They seem altogether more mellow on their third album over their more energetic debut Different.

You've got a few covers and classic tunes like "The Most Forgotten French Boy", "Too Much Class for the Neighbourhood", "Home Is Where I Want to Be", and the jangly "Lonesome Angie". A band with a very nice sound that shouldn't be neglected.(Vandaleyes, reader rate your music)

This is a very nice rock album with punk and pop.
And these french guys have done a lot of good music in the past.
Enjoy it
             Frank    Flac p1  & Flac p2       -  mp3@320

 

Various Artists - Early Girls - Volume 4 (2005 Ace Records) Flac & mp3@320

What can you say about a compilation that follows Rosemary Clooney with Little Eva, and LaVern Baker with Annette Funicello? You can say it is the fourth installment of Ace's entertaining Early Girls series. This volume focuses on chart hits between 1954 and 1964, and isn't afraid to include anyone though most of the artists are straight pop like Patience and Prudence, Doris Day, Debbie Reynolds, and the McGuire Sisters.

There are also girl groups (the Cookies, the Essex), unknown R&B singers (Theola Kilgore, Annie Laurie), sweet teenagers (Marcy Jo, Jamie Horton), country crooners (Sue Thompson) and untamed forces of nature (Brenda Lee). The volume strikes a nice balance between well-known artists and obscurities, the highlights of the disc come from both camps.

 

From the former are Brenda Lee's knock-out novelty "Dum Dum," the Cookies candy kissed "Don't Say Nothin' Bad (About My Baby)," Nancy Wilson's " (You Don't Know) How Glad I Am," Patience and Prudence's perky "Gonna Get Along Without You Now"; from the latter are Tracey Dey's silly but fun "Teenage Cleopatra," Theola Kilgore's "The Love of My Man," the Toy Dolls' "Little Tin Soldier" and best of all from a woman who managed to be the paramour of both Ray Charles and Little Jimmy Scott, Mary Ann Fisher's absolutely fierce R&B howler "I Can't Take It.

" Overall the disc may lean a bit heavily on the orchestras and schmaltz but if you can stand it, Early Girls, Vol. 4 is a fun and sweet trip through an oft-ignored area of American pop.(allmusic)

Volume 4 of the Early Girls series by ace records.
Have fun and
enjoy it!
             Frank               Flac p1   &  Flac p2  &  mp3@320  -  mp3q320 p2

Davy Jones, Peter Noone & Bobby Sherman - Teen Idols Tour 1998 (Flac & mp3@320)

Bobby Sherman:
Sporting a winning smile and fashionably shaggy hair, Bobby Sherman was a genuine teen idol during the late '60s and early '70s. Sherman first surfaced as a regular on ABC-TV's mid-'60s rock spectacular Shindig!, then co-starred on the warmhearted program Here Come the Brides. He stormed the pop charts as a vocalist in 1969-70 with the well-produced "Little Woman," "La La La (If I Had You)," "Easy Come, Easy Go," and "Julie, Do Ya Love Me," all four songs credited as million sellers on the Metromedia label. The hits stopped abruptly in 1972, and today Sherman mostly works behind the scenes in television.(allmusic.com)

Peter Noone:
In a multi-dimensional career that garnered respect from his colleagues and millions of fans worldwide, Peter Noone was the professional's professional. As a child, he appeared on the British television shows Coronation Street, Knight Errant, and Family Solicitor, and went on to study acting at the Manchester School of Music and Drama.

Bobby Sherman 1998

In 1963, he joined a Manchester beat group, the Heartbeats, whose name was changed shortly thereafter to Herman & the Hermits and eventually shortened to Herman's Hermits. His career with that popular recording act sold well over 50 million records, at times eclipsing the Beatles themselves in sales. (excerpt bio allmusic.com)

Noone in the sixties

Davy Jones:
One year after the Monkees called it quits (for the first time), Davy Jones surfaced with his second solo outing (1965's pre-Monkees album David Jones was his debut). Jones has often said that he never viewed himself as a musician, but rather as an entertainer. This is evident with this album. Instead of trying to write a masterpiece, he relied on producer Jackie Mills to assemble a number of pop/rock songs and a tight band to go along with them.

...and in the seventies...

To that end, it is a success. The playing is more than adequate and this is a collection of pop songs. Jones has a pleasing voice, and the songs themselves are short enough so that none of them can become truly irritating. The music is very similar to the Monkees' 1970 album, Changes. Some of the songs are filler (such as "Take My Love"), while others are examples of great pop songs (such as the Top 40 single "Rainy Jane"). Jones did not set out to change the world with this album, but he did set out to put together a pleasing product. To that end, he succeeded. Monkees fans will love this album.

...end of nineties

These three guys were in their times of pop fame, then in the sixties, real great teenage popstars.
And these guys were GOOD.

Davy...

The recording here is from a US tour in 1998. It's a very very good recording and the music on it
is without any doubt first class pop music, delivered by three guys who was in '98 around 30 years on stage. And that you can here . Beautiful from the first tone to the last. Highly recommend!
A big big 'Thank You' to Marc, a reader from California  who provided the album for the blog. 

Okay Folks enjoy it,
                                 Frank   Flac p1 & Flac p2       - mp3@320

p.s.: If you want to buy the album i found it on amazon for nearly 60 bucks...  :-(

Various Artists - Early Girls - Volume 3 (2000 Ace Records) Flac & mp3@320

The third installment in Ace's series of female-sung pop/rock from the pre-British Invasion era is an erratic combination of well-known classics with more obscure items that are sometimes decent, and more often forgettable. Mostly it's from 1960-1964, with a few odd inclusions of solo female performances from 1953-1959, several of them pop with little or no rock influence. The best cuts are usually the most famous ones: Etta James' "At Last," Little Peggy March's "I Will Follow Him," Carla Thomas' "Gee Whiz (Look at His Eyes)," Esther Phillips' "Release Me," Timi Yuro's "Hurt," and the Chantels' "Look in My Eyes."

The thing is, none of these have been very hard to find on reissues. The majority of the disc is in fact comprised of songs that have escaped oldies radio rotation, whether because they only made it to around the middle of the Top 100, or because (as in Patti Page's "Old Cape Cod" or Jodie Sands' "With All My Heart") there was no rock & roll in their soul. However, with the exception of the Girlfriends' dynamite 1963 mid-charter "My One and Only, Jimmy Boy" -- one of the best Phil Spector soundalike productions ever, and a should-have-been Top Ten hit -- none of the rarer items are great.

In fact most are inconsequential, and some are downright bad: there ought to be a law against licensing Ginny Arnell's 1963 single "Dumb Head," one of the most idiotic records ever to crack the Top 50. Some of the more interesting also-rans are Lillian Briggs' 1955 hit "I Want You to Be My Baby," which in fact is far more like jazzy Tin Alley pop than rock; Faye Adams' 1953 crossover R&B/pop hit "Shake a Hand"; and Suzie Clark's "Ain't Gonna Kiss Ya," a non-charting cover of a song on an obscure girl-group single by the Ribbons that was later covered by the Searchers.

The third volume of the ace series.
Have fun
               Frank                   mp3@320 p1 & mp3@320 p2  - Flac p1 - Flac p2

Two fine contributions by reader Coolruler! - Mark Johnson - 12 In A Room & Various Artists - Shake Some Action mp3@320

Hello Folks, here is a little information about two nice albums who send by reader 'Coolruler'.

First one is  ''Mark Johnson - 12 In A Room'' 1998 with four bonus tracks and the second one is the
CD that came with the famous book ''Shake Some Action'' by John Borack. A lot of great Power Pop artists are gathered on the album i. e. The Rooks, The Pranks, Tommy Keene, Wonderboy, Michael Guthrie band,  Shoes, Paul Collins and a lot more.

A big 'Thanks' to you 'Coolruler' and here are the links:

Mark Johnson  here

and

Various Artists - Shake Some Action  here

(both links by Coolruler)
Have fun
              Frank

Sunnyboys - Sunnyboys Play The Best (1991 Mushroom Milestones) Flac & mp3

This Australian band successfully combined the new wave energy of the early 80s with the guitar sounds of the 60s. They came on to the Sydney scene in 1980, with a softer sound, a refreshing change from the heavy rock sound that dominated Sydney at the time. They were popular in New South Wales, but were unable to match this elsewhere with only three singles making the lower reaches of the Australian charts, perhaps owing to their inconsistent live performances.

By their third album the band had lost its way, and went to the UK to re-assess their career. There they produced a strong album which did not do well, and so they disbanded in 1984. Jeremy Oxley re-formed the group in 1987, with Peter Hiencenberg (drums), Nick Freedman (guitar) and Phil Smith (bass), and completed one album.(allmusic.com)

Underrated Wave Power pop band from Australia.
Have fun
               Frank   Flac p1  & Flac p2  & Flac p3    - mp3@320

Paul Jones - The Paul Jones Collection Vol 3 - Come Into My Music Box (1998 rpm records) mp3@224

Jones' third and final album of the 1960s was no less of a patchy, underachieving affair than his previous two efforts. Still a first-rate vocalist, he was an all-too definitive example of a talented singer sorely in need of direction, not to mention better material and production. Jones continued to try and hit all the bases, covering everything from "The Weight" and "Procol Harum" to the Foundations' "Baby Now That I've Found You," Donovan's "Celeste," Marvin Gaye's "How Sweet It Is," "Aaron Neville's "Tell It Like It Is," and Bob Dylan's "Wheels on Fire." His stab at "Aquarius" from the Hair soundtrack was even a tiny hit.

Original cover art 1969

The cut-rate swinging-sixties production makes some of this sound more appropriate for West End theater than rock. Pink Floyd obsessives should note the presence of "The Committee," the theme (co-written by Jones) for a TV movie of the same name with an unreleased soundtrack by Pink Floyd. The end result of trying to please all factions, of course, was that he didn't please anybody, although a couple of odd psychedelic pop numbers, particularly the mysterious and tuneful "I'm Here to Nudge Your Mind," aren't bad. The album is now available in its entirety on RPM's The Paul Jones Collection Vol. 3: Come into My Music Box, which adds 11 non-LP bonus cuts from the same era.

Vol 3 of the collection series by rpm.
Enjoy
         Frank        mp3@224

@ Request: Harry Nilsson - Nilsson Schmilsson 1971 (1990 UDCD MFSL 541) Flac & mp3@320

Harry Nilsson had a hit, a Grammy, and critical success, yet he still didn't have a genuine blockbuster to his name when it came time to finally deliver a full-fledged follow-up to Nilsson Sings Newman, so he decided it was time to make that unabashed, mainstream pop/rock album. Hiring Barbra Streisand producer Richard Perry as a collaborator, Nilsson made a streamlined, slightly domesticated, unashamed set of mature pop/rock, with a slight twist.

This is an album, after all, that begins by pining for the reckless days of youth, then segues into a snapshot of suburban disconnectedness before winding through a salute to and covers of old R&B tunes ("Early in the Morning" and "Let the Good Times Roll," respectively), druggie humor ("Coconut"), and surging hard rock ("Jump Into the Fire"). There are certainly hints of the Nilsson of old, particularly in his fondness for Tin Pan Alley and McCartney melodicism -- as well as his impish wit -- yet he hadn't made a record as cohesive as this since his first time out, nor had he ever made something as shiny and appealing as this.

It may be more accessible than before, yet it's anchored by his mischievous humor and wonderful idiosyncrasies. Chances are that those lured in by the grandly melodramatic "Without You" will not be prepared for either the subtle charms of "The Moonbeam Song" or the off-kilter sensibility that makes even his breeziest pop slightly strange. In short, it's a near-perfect summary of everything Nilsson could do; he could be craftier and stranger, but never did he achieve the perfect balance as he did here.(allmusic.com)

At first i have to say that at the beginning of 'Jump into the fire' it sounds like a heavy glitch or something like that. But i know the disc is not defect. I googled around and other users have the same problem if they uploaded the disc. The song begins after a few seconds correctly. I have no clue and i think it should be no problem if you like this wonderful album. You can use another release of this song and use them instead of this original but i don't like it to mix different album titles together.
Like i said, no big thing. You decide...

Have fun
               Frank              Flac p1   &   Flac p2
                                                                           mp3@320

Paul Jones - Crucifix In A Horseshoe 1971 (1991 Repertoire Records) Flac & mp3

As lead singer of Manfred Mann during their early run of hits such as "Doo Wah Diddy Diddy," "Pretty Flamingo," and many, many others, Paul Jones was far more influential than people realize. Artists such as Arthur Lee have cited him as a primary influence, and for that fact alone, he should be recognized. After leaving Mann in 1966, Jones made one of the greatest cult films of all time, 1967's Privilege. This, though, his solo debut, is another step altogether. Always one of the more literate rockers of his era, Jones spends most of his time on this album making fun of stardom and all that goes with it. Hotel rooms, groupies, and the general grind of it all is the subject matter here, and it's all quite a bit of fun.

As far as the music goes, much of it is more laid-back than anything Jones did with Manfred Mann, with a lot of country leanings. Thomas Jefferson Kaye's production is a bit heavy-handed -- which is not much of a suprise. But in the end, it is an interesting record, sounding very much like a roots-oriented David Bowie record, slashing the tires of a car named "stardom."(allmusic.com)

Paul Jones is one of the greatest (today quite unknown) musicians in the pop business. He was the lead singer in the Manfred Mann Band in the sixties.Before that, in1962 a man called Brian Jones asked him to join in his band for the job as leadsinger. You guys know which band i am talking about, right...However, this is not his first solo album. But it's also a fine one. It's different to his sixties work in some things but it is, like all he have done from a high quality.
Give it a try and
enjoy! 

           Frank   Flac p2  & Flac p1
                                                            mp3@320