HOLIDAYS IN THE SUN!!!




Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.

Frank

Thursday, 11 May 2017

Stone Country - Stone Country 1968 (2007 Rev-Ola) Flac & mp3


The Band
Stone Country was a Hollywood, CA-based psychedelic country-rock outfit led by gifted singer/songwriter and guitarist Steve Young. Young, who grew up in the south, moved to New York City in the early '60s, where he became affiliated with the burgeoning Greenwich Village folk music scene. He later moved to Los Angeles in 1964 and began working with Van Dyke Parks and Stephen Stills while still working his day job as a mailman. He formed Stone Country in 1967 and soon thereafter the band was signed to RCA Records. After releasing several singles, RCA issued the group's only album, Stone Country, in March 1968, produced by Rick Jarrard, who also produced Jefferson Airplane and Harry Nilsson's Pandemonium Shadow Show. (Incidentally, Stone Country appeared as themselves in Otto Preminger's 1968 film Skidoo, which features a score by Nilsson).
The group disbanded when, in 1969, Young signed as a solo artist with A&M Records. His album Rock Salt & Nails featured cameo performances by James Burton, Gene Clark, Gram Parsons, and Chris Hillman. In 1971, Young signed to Reprise, and eventually recorded a series of critically acclaimed albums in the country-rock style, his most well-known song being "Seven Bridges Road," recorded by Rita Coolidge, Joan Baez, and the Eagles. Clark -- a member of the New Christy Minstrels and the Good Time Singers before joining this band -- went solo and recorded for Imperial and Republic Records. Don Beck went on to join Dillard & Clark, while Denny Conway became a session drummer. Stone Country has not been released on CD and LP copies are valuable and highly collectible.

The Album 
 Before Steve Young became one of the founding fathers of country-rock with his 1969 album Rock Salt and Nails, he was a member of Stone Country, a short-lived pop group that fused country and rock in a very different way. Stone Country's sole album, released in the spring of 1968, is a polished but intriguing mixture of sunshine pop, progressive country, blue-eyed soul, and folk-rock, all wrapped up in a slick package created with the best of L.A. studio craftsmanship (producer Rick Jarrard and arranger George Tipton, who both worked on the album, were also helping Harry Nilsson create his sublime early albums at the same time).
Stone Country goes in too many directions at once for its own good, but it's clear that this was a band packed with talent and full of great musical ideas; the opener, "Love Psalm," is a delightful bit of psychedelic pop punctuated with some solid bluegrass picking; "Magnolias" is a gritty and unflinching portrait of life in the Deep South with a powerful vocal from Young; "The Ballad of Bonnie and Clyde" is a musical synopsis of Arthur Penn's hit film of the day featuring some deft country guitar and banjo work; "Why Baby Why" is a solid George Jones cover with a heavy rock & roll stomp; and "Lizbeth Peach"'s baroque textures would do the Left Banke proud. The trouble with Stone Country is that while the bandmembers do everything here quite well (and they played nearly all of it themselves, without the help of session men), the eclecticism feels like a lack of clear focus and vision by the end of the album, and this sometimes sounds more like a bunch of talented individuals than a real group.
But the best moments are a splendid example of prescient country-rock and West Coast studio polish, and Stone Country is a superb memorial for a group that had the talent and potential to do some pretty remarkable things.(allmusic.com)

The album is a very fine mix of different musical directions and the band is very good in all. In his entirety is the album very very strong and maybe it is just this famous one hit song (who decide if a band will make it to the top or not) that is missing here. Nevertheless this is a real great pop album of its time and i highly recommend it. And i go one step further: Here are some songs, i think Steve Young later never reached that level again. But that's just my opinion.
Enjoy it
             Frank        FLACmp3@320

The Dummies-Glam-Lea-Bubblegum-Holder-FrankLea-Slade-Pop!1991! Flac & mp3


Hello Folks, today i post an album from a hero at the end of my childhood and the start of my earliest teens. Slade were beside other glam poppers like Bolan, Sweet and a lot of one hit wonders the heros of my first musical hormone adventures.
Jim Lea member of Slade and classical trained musician was the head of this Slade side project called 'The Dummies' and wrote a lot of the songs, partly with Noddy Holder, Singer and guitarist of Slade.
The album is a very poppy thing with sounds of bubblegum, echoes of new wave sounds and well known Sladealike melody work. A song like 'When the Lights Are Out'' is an all time classic in the history of Jim Lea/Slade. This album is a very good pop work and never boring. The most fun to me are the guitars here and the fine melodies with the very good vocal arrangements. If i am ninety years old this kind of music will let me feel thirteen and that's the best what i can say about this music.


Have fun
              Frank       Flac part 1   &    Flac part 2
                                                mp3@320