Psychedelic Pop from the late sixties: Octopus - Restless Night (1990)1970 Flac

Octopus' origins lay in Hatfield, 30 miles from London, and a mid-'60s quartet called the Cortinas (the name came from an English Ford compact car), made up of Paul Griggs (guitar), Nigel Griggs (bass), Brian Glassock (drums), and Rick Williams (guitar). By 1967, the Cortinas had moved from Brit beat into pop-psychedelia and cut one single ("Phoebe's Flower Shop") for Polydor without success. The following year, the quartet renamed and redirected itself and Octopus was born. The band earned a support spot to Yes which was, itself, an up-and-coming group at the time. They also appeared on stage with acts like Status Quo and Humble Pie, and were discovered by Troggs bassist Tony Murray, who helped get them a record deal with independent producer Larry Page, who was the Troggs' manager.
Octopus was signed to Penny Farthing and released a single, "Laugh at the Poor Man" b/w "Girl Friend," in 1969. Midway through the recording of their debut album, Restless Night, Glassock and Williams quit the band, and it was a re-formed Octopus, with John Cook on keyboards and Malcolm Green on the drums, that finished the record with Murray producing. The resulting LP was popular in Hatfield but never found an audience anywhere else.

Restless Night was a surprisingly pop-oriented affair considering Murray's regular gig. The music is on the smooth, commercial pop side, with the psychedelic elements mostly in the fuzztone guitar and organ flourishes, mixed with the music's general melodic nature. The band was good enough to get booked into the Marquee Club in London in 1969, but their career arc was far more shallow than that of heavier weight contemporaries such as King Crimson. The group pressed on for another two years, including tours of Europe, but disbanded in 1972. John Cook later joined Mungo Jerry, while Malcolm Green and Nigel Griggs later became members of Split Enz.

See for Miles reissued Restless Night with extra tracks off of their singles in the 1990s. This group has nothing to do with the band named Octopus that recorded for ESP at the end of the 1960s, or the more recent band of the same name.(allmusic.com)

This is an album where you can hear the sixties pop but also the upcoming sounds of early seventies pop prog bands. Take a listen

Frank     Flac

The Misunderstood - Before The Dream Faded (1965) Flac

Of the thousands of U.S. garage bands who struggled in the '60s without achieving international success, the Misunderstood were not only among the very best, but among the very few to progress beyond basic garage sounds to music that has been (belatedly) recognized as nearly as accomplished and innovative as that of the British Invasion bands who touched off the garage explosion in the first place. Formed in Riverside, CA, in 1963, the group began as a basic R&B rock combo in the tradition of the Stones and the Animals.

After the addition of steel guitarist Glenn Campbell, they rapidly moved toward a proto-psychedelic sound with guitar feedback, sustain, Middle Eastern influences, and exploratory song structures that strongly echoed the Yardbirds. With the encouragement of local expatriate British radio announcer John Ravenscroft (who would shortly become one of Britain's most influential DJs as John Peel, a designation he holds to this day), the band moved to England in 1966 in an attempt to find a sympathetic audience. The group cut six songs (a few of which were issued as extremely rare singles) that found them anticipating the early innovations of groups like Pink Floyd and Jimi Hendrix. The group was praised by the British press and up-and-coming acts like Pink Floyd and the Move, but was hounded by U.S. draft authorities and internal problems, and disbanded in confusion around early 1967. Campbell kept the Misunderstood's name alive briefly with a couple unimpressive singles before forming Juicy Lucy, who had a small British hit with a cover of "Who Do You Love."

The group's other guitarist, Tony Hill (actually a Britishman who joined the band after they arrived in England), joined High Tide, who recorded some progressive rock albums. The Misunderstood finally gained some measure of the respect due to them with a well-packaged reissue of their best material in the early '80s.

This was really a strong '60s psychedelic garage band. It's a pity they don't exist not longer as a band.
Have fun
               SB1  Flac

World Party - Egyptology (1997) Flac

Karl Wallinger defined the ornate, Beatlesque World Party sound on their debut Private Revolution, and he never strayed from that blueprint over the next decade, even if he augmented it with other '60s and '70s pop flourishes.

Egyptology finds Wallinger at his most conservative, sticking to the basic late-'60s pop and psychedelia that distinguished Private Revolution and Goodbye Jumbo. As always, his production is tasteful and subtle, revealing new layers of sonic detail on each listen, and his songcraft is sturdy and tuneful, if not remarkable.

Few of the songs jump out upon the first few listens, yet there are no weak moments on the record, which makes Egyptology, of all things, a workmanlike release. It's not flashy or extravagant, and it may not have the inspiration of Goodbye Jumbo, but it does deliver a collection of fine pop tunes without pretension, and that alone makes it a better album than the overly ambitious Bang!.

More World Party will follow.
Enjoy!
           SB1  Flac

Karl Wallinger's World Party - Dumbing Up (2000) Flac

 Karl Wallinger's World Party - Dumbing Up (2000) Flac

After a three-year absence, Dumbing Up marks the return of leader Karl Wallinger, and he manages to recapture the magic of previous efforts such as Goodbye Jumbo and Bang! During Wallinger's hiatus, interest in the band had grown after their song "She's the One" became a hit for British pop star Robbie Williams.

For the most part, Wallinger delivers, ably demonstrating his considerable strengths as a writer, arranger, and lyricist. The album is a mix of influences, but chief among them is Bob Dylan. Several songs, such as "Who Are You," feature bare-boned guitar arrangements that let the wordplay stand out. Other '60s influences abound. The lead single, "Here Comes the Future," is an intriguing bit of retro-soul while "Another 1000 Years" plays like a Beatles ballad.

After a lackluster 1997 release, Egyptology, Wallinger redeems himself with an agreeable album that is more comforting than it is groundbreaking.(allmusic.com)

Karl Wallinger and World Party is another band or project that's a favourite of me. Wallinger was also a big part in the story of success for the Waterboys. I love nearly all what World Party had released. If you don't know World Party do yourself a favour and give it a listen.
Cheers
           SB1  New Flac link

Powerpop by David Grahame: Supergenius The Best Of David Grahame 2005 (mp3@320)

Great Power Pop by a great musician. 28 songs full of wonderful music. If you like Power Pop and you don't know David Grahame grab this songs. And if you know David Grahame and like Power Pop you will already have it. Wish you all a good night and we meet again tomorrow here if you like :-) Kind regards
                         Frank   link removed!