GLAM!!! Alistair Riddell - Space Waltz (The Original Album)1975 (2005 EMI) Flac

Alistair Riddell - Space Waltz (The Original Album)1975 (2005 EMI)

Make no mistake about it -- this record would have not existed had it not been for David Bowie. It's not just that Alistair Riddell himself affected an androgynous look rather like Bowie's early-'70s visage. This New Zealander also sounded very much like Bowie in the 1970-1972 period, with catchy pop melodies, glam inflections to the rhythm and vocal phrasing, and even the frequent allusions to science fiction in the lyrics. Bowie himself had passed through that phase by the time this was issued in Riddell's native New Zealand in 1975, but given how slowly trends traveled to that part of the world in those days, it might well have seemed pretty cutting edge.

There's no getting past its blatant imitativeness, but if you are the kind who likes the early David Bowie sound enough to be satisfied by unoriginal approximations of the real thing, this is pretty good for what it is. Riddell goes through a gamut of glam affectations with convincing confidence, and if he's not the singer Bowie is, he's still okay. Nor is he on Bowie's level as a songwriter, but "Seabird" has the druggy, drawn-out downerisms of Bowie's bleaker side down pretty well, and both the 1974 New Zealand hit single "Out on the Street" and the melodramatically arching "Love the Way He Smiles" have a fairly authentic Ziggy Stardust outtake aura. According to the historical liner notes of the 2005 CD reissue on RPM, "most of the tracks were based on the Tellurians, a genetically engineered race from the planet Telluria whose inhabitants use sex purely as a reproductive process where no emotional love is involved." Well, you can't really tell without having read whatever book(s) sparked this brainstorm, but this doesn't mean this isn't a modestly enjoyable curio, little known internationally before its 2005 CD reissue in the U.K. (allmusic.com)

This is for sure hardly influenced by Bowie but this is a real strong glam album with a very very good gang of musicians. Very well done songs over the whole record. And this is a lot better than many of the 1990/00 years clones who raised up to pop stardom with the retro glam wave. If you have a faible for glam rock ''oldschool'' don't pass by here. I have added the original front/back artwork to the post.
Enjoy
          SB1  Flac

The Strawberry Alarm Clock - Incense And Peppermints 1967 (2011) Flac

This is the debut long-player from the southern California-based Strawberry Alarm Clock -- the title track of this album topped national singles charts in December of 1967. As the cover art might suggest, their image practically defined both the musical as well as peripheral aspects of the pseudo-psychedelic counterculture. However, below that mostly visual veneer, Strawberry Alarm Clock actually have more in common with other "Summer of Love" bands such as Love and Kak than the bubblegum acts they have long been associated with. Prior to Strawberry Alarm Clock, the band was initially named Thee Sixpence and issued a 45 -- "In the Building" b/w "Hey Joe" -- in the spring of 1966. As legend has it, none of the actual bandmembers sang lead on the hit single; the singer was in fact a vocalist named Greg Munford, who was attending the session as a visitor. The track was originally issued by Thee Sixpence on the regional All-American label. By the second pressing, however, the band's name had changed to Strawberry Alarm Clock. Sensing the possibility of a national hit, they were scooped up by the MCA Records subsidiary Uni and given the go-ahead to commence recording this, their debut LP.

Much of the band's sound is due at least in part to the writing styles of George Bunnell (bass/vocals) and the uncredited Steve Bartok (flute/vocals). The edgy fuzz-toned guitar sound of "Birds in My Tree" and the Los Angeles freeway-inspired "Paxton's Back Street Carnival" exude a garage rock flavor similar in style to that of Spirit's self-titled debut long-player. Another distinguishing factor is Strawberry Alarm Clock's multi-layered vocals. "Hummin' Happy" and "Rainy Day Mushroom Pillow" are precursors to the sophisticated harmonies that would also inform "Tomorrow" and "Pretty Song From Psych-Out," from their follow-up long-player, Wake Up...It's Tomorrow.

These guys made some wonderful albums in the sixties and the relaxed psychedelic pop was always a favourite of mine. Hope you have fun
Cheers
           Frank    Flac

You will find The Strawberry Alarm Clock - Wake up...It's Tomorrow 1968 (2005) Flac here