Hello Folks, just for your information i will go to the sun this year from the 23rd of this month until around the 15th of october. I got the confirmation today. Hurray :-). hope we will meet here again after my holidays.


Friday, 7 April 2017

Chris Bell - I Am The Cosmos mp3 files added

Like i yesterday in the Chris Bell post had promised here are the links for the Chris Bell in mp3. I added them in the Chris Bell Flac post from yesterday.

Cheap Trick - The Complete Epic Albums 13) Busted (1990) Flac

Surely, Cheap Trick didn’t intend for the title of Busted, their 1990 sequel to their surprise 1988 commercial comeback Lap of Luxury, to be as prophetic as that of its predecessor, but this vacant, radio-ready rocker finds the group at an unquestionable nadir. It’s not just the sound -- although the shimmering skyscraper production admittedly does the group no favors, neutering Roy Wood’s “Rock N Roll Tonight,” turning its swing into a stiff martial march -- it’s the paucity of material that is so dispiriting, the group either turning in pastiches of their trademarks or surrendering completely to the whims of studio hacks, whose tunefulness eclipses that of Nielsen and Zander, this time around. Like The Doctor before it -- the only album to rival this as the band’s worst -- Busted captures every bad sonic hallmark of its year; it’s as cavernous as that 1986 disaster, thanks in large part to the gargantuan rhythm section, but at least it’s warmer and less reliant on cold synths than that garish misfire, which does make it an easier listen. Even so, the pounding arena rock of Busted remains a bumpy ride because the hollow sound only magnifies the hollowness of the band’s songs.(

That's it. After Busted  the Epic chapter was over in 1990.
I hope you or you...or maybe you had a little fun with the Epic Series. I think everyone have it's favorites from the Trick catalogue. In this sense
           SB1       Flac1   You need both links!    Flac2

Cheap Trick - The Complete Epic Albums 12) - Lap of Luxury (1988)

Cheap Trick's comeback album is by no means a return to the creativity and vitality of their glory days. But even though Lap of Luxury is largely formulaic, the band's strongest collection of material in some time fills that late-'80s pop-metal formula quite well. Combining grandly romantic power ballads ("Ghost Town") with catchy hard rockers ("Never Had a Lot to Lose"), Lap of Luxury consistently delivers strong hooks and well-crafted songs, proving that Cheap Trick were still capable of outdoing many of the bands they helped inspire. The album produced two Top Five singles in a cover of Elvis Presley's "Don't Be Cruel" and the band's first number one hit, "The Flame."(

Comeback album for eight years painful missing (to me) Tom Petersson. Anyway the band needed more time to get back to nearly old strength. And this time lays back then in the future. They had two top five singles but The Flame was just a ballad like many others. But as i say their time came a few years later again...(imho) :-)

           SB1        Flac1    You need both links    Flac2

Cheap Trick - The Complete Epic Albums - 11) The Doctor (1986) Flac

If any one record sums up all the ludicrous indulgence of ‘80s record-making it’s The Doctor, Cheap Trick’s utterly botched ninth album. The band managed to navigate new wave with the assistance of Todd Rundgren, and even scored a slick AOR hit in 1985 with “Tonight It’s You,” but all their commercial instincts soured on The Doctor just as Rick Nielsen entered into a significant songwriting slump. Of the two problems, the former is the hardest to bear, as the very sound of The Doctor is egregiously unpleasant. Cluttered with cacophonic electronic drums and clanking with cheap overdriven synths, the record is cavernous and hollow, every instrument echoing endlessly in a fathomless digital stage. As sonic archaeology, this holds some interest, as it contains every bad record production idea of the mid-‘80s -- it’s as garish and ugly as its record cover -- but even then the relentless march is wearying, as it's married to an exceedingly weak set of songs. Whenever Rick Nielsen and Robin Zander have a good idea -- the cheerful sleaze of “Good Girls Go to Heaven (Bad Girls Go Everywhere),” the slow grind of “Take Me to The Top” -- the song is bludgeoned by Tony Platt’s production, making The Doctor a memorably unpleasant album.(allmusic. com)

Enjoy it,
            SB1         Flac1    You need both tracks!   Flac2

Fotomaker - Vis' A' Vis' 1978 (2005 Wounded Bird) Flac & mp3

After the first very well received album by critics and the audience the band released the Vis' A' Vis' album in 1978.It was not the success the band had expected. It have not the complete strength of the first album but anyway it is an album with some good songs on it.

         SB1       New Flac Link        mp3@320 

Thanks to Javier for this contribution!

At Request: Game Theory - Real Nighttime (1985) (2015 Omnivore) Flac

Released in 1985, Real Nighttime wasn't Game Theory's first album -- they'd self-released the home-recorded Blaze of Glory in 1982, and a pair of EPs had been fashioned into the 1984 LP Dead Center -- but it was the first record that truly fulfilled Scott Miller's ideas and ambitions for his music. With Real Nighttime, Miller and his bandmates had a bigger budget to work with, as well as a talented and sympatico producer, Mitch Easter, who tightened up the music and helped Miller work out the angles of his sweet-and-noisy smart pop. While Easter's studiocraft helped Game Theory improve their game, Real Nighttime more importantly contained the best and most cohesive set of songs Miller had written to date, and this loose song cycle following a young man's journey from romantic bliss ("24") to soul-crushing disappointment ("I Turned Her Away") plays like the indie pop answer to Pet Sounds. Like that album, Real Nighttime gave Game Theory a great canvas for experimentation; the ominous clouds of slide guitar on their cover of Alex Chilton's "You Can't Have Me," the caffeinated guitars and drums of "Friend of the Family," and the interplay of fuzztone and Farfisa on "Rayon Drive" showed Game Theory were learning new ways to color their surroundings, especially as the more aggressive numbers turned around quieter pieces like "If and When It Falls Apart" and "I Mean It This Time." And while Miller was clearly the leader of this band, the outstanding percussion work from Dave Gill, the evocative keyboards from Nan Becker, and the solid, propulsive bass of Fred Juhos played an invaluable role in making these songs work. Game Theory made good records right out of the starting gate, but Real Nighttime was where they proved they could make truly great ones, and it's not just one of the band's finest works, it's a watershed work in '80s paisley underground pop.(

Can't say anything about the album because to me nearly everything what Scott Miller with his musicians did back then, is great for me. Also Real Nighttime. Wonderful wave arrangements with enough power pop in the songs. Maybe in the eighties Miller was the most modern pop musician in power pop style. No other understand like Miller to blend parts of the common power pop with the new pop styles of the time back in the early till mid eighties (Costello was more in new wave at that time like many others). The pop music lost an important influence with his untimely death.
Hope you will enjoy
                                SB1     New Flac link

Rachel Sweet - B.A.B.Y.; The Best Of Rachel Sweet (2001) Flac and mp3

It's very easy to remember Rachel Sweet as little more than a juvenile novelty within the Stiff Records canon, one more in a long line of headline-grabbing oddities who vanished from the radar around the same time as people stopped caring what the label itself was up to. To do so, however, serves up a dreadful injustice, to Sweet of course, but also to anyone who actually sits down to listen to Sweet's Stiff Records output and discovers there a treasure trove of excellence.
Her Fool Around debut album, in particular, was a masterpiece, a country-new wave hybrid a decade ahead of its time, and littered with some sensational performances -- "Who Does Lisa Like" is only the most obvious, the almost shockingly mature "Wildwood Saloon" only the most surprising. Of course there were a few obligatory bubblegum boppers in there, but when the novelty factor gets too grating, it's the songs ("Cuckoo Clock," "Girl with a Synthesizer") that jar, not the singer. Sweet's second album, Protect the Innocent, was less enthralling, although a lovely cover of the Velvet Underground's "New Age" and a strange take on the Damned's "New Rose" both thrill, while Sweet also unleashed a positively beautiful take on the oldie "I Go to Pieces."
All of which lines B.A.B.Y. up as an excellent collection, and a fitting tribute to a singer who should never have been allowed to fade away as she did. At her best, she really was one of the best.(

Rachel Sweet was great in the four years from 1978 till 1982. I must confess that i don't know later stuff ( i.e. the album ''The Look'' , released without calling her name on the album).
If you don't know Rachel Sweet give her a try.
Cheers  SB1   New Flac link           mp3@320