The Resonars started out in 1992 as the brainchild of guitarist and chief songwriter Matt Rendon of Tucson, Arizona. Rendon,
in fact, had adopted the "group" name as a tribute to a '60s Tucson
band of the same name, which had featured his older brother, John
Rendon. Rendon's
four-track recordings -- made at his own Coma Cave home studio -- were a
blend of moody, introspective psychedelic pop, folk-rock harmonies, and
garage rock. Rendon continued to record on his own, and in 1998, released the first Resonars
album, on which he had four-tracked himself on all instruments and
vocals. This cassette-only release was issued on the Tucson-based Star
Time Records (not to be confused with StarTime International Records of
Brooklyn). After a lengthy period, Rendon added additional musicians -- guitarist Eric Royer, drummer Dustin "OJ" Moyer, and bassist Mick Huxley (later bassist Forest Dunn) -- to his Resonars'
lineup for live shows and for additional recordings. Two 7" singles and
numerous homemade cassette releases (including Tripping in Your Coffin)
were made available to fans at their shows. Their second album, the
critically acclaimed Bright & Dark, was issued by Get Hip in 1999, with Rendon again playing all of the instruments himself.
Rendon
had always intended to get a new band together to play live shows, but
eventually retired the Resonars moniker in October 2000. By then he had
accumulated scores of collected homemade recordings, some of which he
began to release as Kilgore Trouts. He also continued playing shows with Al Perry & the Cattle. After moving to the Seattle area, Rendon joined the Vultures (he plays the drums under the name "Mickey Finch"). The group also featured Heath Heemsbergen, who had known Rendon when he was a member of the Tucson band the Fells. Rendon later returned to the Tucson area and joined the Knockout Pills, a garage punk band featuring members of the Weird Lovemakers and Los Federales. Royer,
meanwhile, returned to his hometown, near Boston, and turned away from
rock as his love of the banjo increased. He'd begun playing on the
streets of Tucson, and eventually designed a "guitar machine" to play
his one-man band shows, accompanying himself on the Dobro and harmonica.
Royer has recorded several albums.
In 2002, Rendon resurrected the Resonars name for a new release on Get Hip called Lunar Kit,
which featured both sides of the 2000 released "Floor Lamp Eyes" b/w
"She's in Love with Her" (Star Time Records) 7". In June of 2002, a new Resonars album was released on Get Hip Records. Titled Lunar Kit, it recalled the last album and even included the single released between the two albums.
After a long break from the Resonars, Rendon returned in 2008 with the band's last album for Get Hip, Nonetheless Blue. Jumping over to the influential California label Burger Records, the band continued cranking out great records, with That Evil Drone in 2008 and Crummy Desert Sound in 2011. After recording an EP for Trouble in Mind (Long, Long Thoughts) in 2012, the label released The Greatest Hits of the Resonars, a career spanning sampler of Rendon's genius, in 2013.
Wow, i love ''The Resonars''. All i ever listened from this guy(s) is just great. The sound is very 60's
style. Great power pop. Hope you will enjoy!
Regards
SB1
Flac
