Andy Pratt's self-titled album is a very quirky, idiosyncratic album that definitely establishes Pratt
as a major force in the singer-songwriter arena. He also sounds very
depressed as many of the song titles indicate (e.g. "Inside Me Wants
Out," "So Fine, (It's Frightening)"). However, this doesn't diminish the
album's power or the particular style that is very much Pratt's own. The highlight of the album is the near-hit "Avenging Annie." Sung mostly in Pratt's
falsetto voice, it is a tale of a mythical heroine told from the
woman's point of view. The fast piano technique is impressive, as are
some other production touches (such as the cat sounds and descending
guitar line). The song deserves its classic status hands down. The next
number, "Inside Me Wants Out," is in the running as one of the most
dismal songs ever recorded, and could seriously be used as a study tool
for a psychology class -- Sigmund Freud would have a field day with it.
It also has a strong hook, and is another top-notch cut on the album.
There is a strong jazz element in several of the songs, particularly
"Sittin' Down In The Twilight," with its almost funky trombone solo. Pratt's
falsetto voice is also a strongly felt presence, though its sometimes
shrill quality may not be to the liking of all. Though this album is not
nearly as polished as Pratt's "Resolution," and has a very different, more home-made feel, it is nearly as powerful.(allmusic.com)
Don't expect the usual singer songwriter, to me this is a (in a very positive meaning) freak out pop album full of coloured musical balloons. The rhythm and how the songs are ''build'' sometimes remembers me a little to Rundgren and Andy Pratt is partly on the same level like Rundgren in his artistry. To me his sound is very impressive and truly wonderful music.
Enjoy it
Frank Flac part 1 & Flac part 2 mp3@320


Nice album...thank you very much!!
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