The Koobas were among the better failed rock bands in England during the mid-'60s. Their peers, among the most talented group of the early British beat boom never to make it, included the Roulettes, the Chants, and the Cheynes. Favorites of the press and popular for their live shows, they somehow never managed to chart a record despite a lot of breaks that came their way, including a tour opening for the Beatles, top management representation, and a contract on EMI-Columbia. The group was formed in 1962 by guitarist/singers Stuart Leathwood and Roy Morris, drummer John Morris (who was quickly succeeded by Tony O'Reilly), and bassist Keith Ellis, all of whom were veterans of Liverpool bands such as the Thunderbeats and The Midnighters.
The band, known at one point as the Kubas, did a three week engagement at the Star-Club in Hamburg in December 1963 and out of that built up a serious reputation as performers. They had a sound that was comparable to the Beatles, the Searchers, and the Mojos, as Liverpool exponents of American R&B with a strong yet lyrical attack on their guitars and convincing vocals. It wasn't until after Brian Epstein signed them a year later, however, that a recording contract (with Pye Records) came their way. They got one false start through an appearance in the movie Ferry Cross the Mersey, starring Gerry & the Pacemakers, playing one of the groups that loses a battle-of-the-bands contest, but the Koobas' footage ended up being dropped from the final cut of the film. Their debut single, "I Love Her" b/w "Magic Potion," failed to chart, as did its follow-up, despite the exposure the group received opening for the Beatles on their final British tour.
Coming off of those nine shows, the group was booked into the most prestigious clubs in London and started getting great press, but two more singles failed to dent the charts in 1965 and 1966. They jumped from Pye Records to EMI-Columbia in 1966, and continued to get good, highly visible gigs, including a January 1967 appearance with the Who and the Jimi Hendrix Experience at the Savile Theatre (owned by Brian Epstein), and a tour of Switzerland with Hendrix. The group's sound was a lean yet melodic brand of R&B-based rock & roll, similar to the Beatles, though the Koobas didn't start to blossom as songwriters until fairly late, which may have been part of their problem.
They recorded good-sounding and very entertaining songs, but somehow never connected with the right sound at the proper moment. By the middle of 1967, they'd altered their look and their sound, moving away from American-style R&B and toward psychedelia. The group members also began writing their own material, sometimes with help in the lyric department from their new manager, Tony Stratton-Smith. Their singles still utilized outside songwriters, however, and the group's best crack at the chart came early in 1968 when they recorded Cat Stevens' "The First Cut Is the Deepest," complete with heavy fuzz-tone guitar. Their single garnered some airplay but was eclipsed by P.P. Arnold's Top 20 version of the same song. Despite his best efforts, Stratton-Smith couldn't help the group overcome the failure of their last single. The quality of their gigs and the fees they were earning began declining, and their morale soon followed. By the end of 1968, the Koobas had agreed among themselves to go their separate ways. Ironically, the group's split coincided almost perfectly with Stratton-Smith's final effort on their behalf. Despite the failure of a succession of singles, EMI-Columbia agreed to let the band cut a long-player in late 1968. The group lasted just long enough to finish the album, Koobas, a mix of topical songwriting, psychedelia, R&B, and nostalgia that might've found an audience if only there had been a Koobas still together to tour behind it and promote the record in early 1969.
Very good Psychedelic pop effort. The Koobas were complete underrated.
Frank Flac p1 & Flac p2 - mp3@320