Monday, 6 February 2017

End 70's, early 80's Powerpop! The A's - The A's & A Woman's Got The Power (1979 - 1981) mp3


When punk rock exploded on the scene, the Sex Pistols brought it in with an angst, sense of rebellion, and shock value that became hard to match. The bands that followed worked in various segments of the genre, searching for an identity and individuality. This eventually gave birth to a style that became known as new wave. Still, the boundaries and sensibilities of that style were hard to define. The A's came out of this era, forging their own path. Along with groups like the Dickies, they combined the irreverence of punk rock with a fun sort of texture and a pop sensibility, and, most importantly, a sense of humor. Their music forged a path that encompassed power pop, punk, and a retro, almost mod, texture.
They did it with accessible hooks and catchy numbers. It is really a shame that this group never achieved the level of fame that they should have, because their musical sensibilities bordered on flawless. As a slice of time from this era, their debut release really works well to this day. The other thing about this album that really pleases is that it is just plain fun. This band is really one that should have been somebody, but seemed to have been caught in an awkward time of musical indecision.

Here is an other quote:  The often perceptive dude from Badcat records had this to say about their debut album: "Formed in 1978, Philadelphia's The A's featured the talents of bassist Terry Bortman, singer Richard Bush, lead guitarist Rick DiFonzo, keyboardist Rocco Notte, and drummer Mikey Snyder.  The band's live shows quickly garnered them a loyal local following (you can still find a slew of fawning on-line reviews from folks who saw the band's early shows).  That in turn captured the attention of Clive Davis' Arista label which was on the lookout for new wave talent.  While The A's weren't really a new wave act, they were close enough for Arista management which quickly signed them to a recording contract.   They were quickly teamed with producer Rick Chertoff  going into New York's The Record Plant Studios to record 1979's cleverly-titled "The A's".   So leave it to a city like Philadelphia to spawn a bunch of guys who thought they were punks, but had a repertoire full of songs that were creative, lyrically intriguing, funny, and highly commercial.  Judging by the leather jacket drenched album cover, Bush (the only one member not wearing Ramones-styled leather) and company seemingly thought they were channeling English new-wave bands like The Boomtown Rats, or The Undertones (I know they were Irish), but the fact of the matter is The A's were really a first rate power-pop band.  Yeah, there wasn't a great deal of originality spread across these ten original numbers, but propelled by Bush's tawny, raw voice tracks like 'After Last Night', 'Teenage Jerk Off' and 'Grounded' had far more energy and enthusiasm than virtually all of the competition – imagine The Hooters with a new-wave edge, or a more urbane, jittery version of The Dwight Twilley Band, or a tougher version of The Cars and you'd have some idea of what to expect" 

Great powerpop from the end of the 70's and the beginning of the 80's. Both albums on one disc. Don't miss it and enjoy!
Cheers
           Frank  mp3@vbr~256

2 comments:

  1. I saw this band in Philly around 1980. I always thought they would have been as big as the Cars with their sound mixed differently. They were much more aggressive (but still fun) live. Good stuff

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  2. @johnnybgoode: This makes me really enviously lol. To see interesting and good bands is for americans and british people more easier as for people in a lot of european countries. I understand the reasons for that (e. g. big amount of time and money for touring. Most bands come from the U.S. and Great Britain (this means not there are no good bands in other countries and continents)but nonetheless it's a pity. But like a wise man once says:''Put that in your pipe and smoke it''. In this spirit
    kindly regards
    Frank

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