The cascading drums, sharply jangling guitars, and Harrison's reliably Lennon-esque vocals make the song sound lifted right off side two of Kontiki. The production is a bit less polished, there's no Brad Jones magic touch here, but it makes up for it with the immediacy. The rest of the album charts a course from swirling psych-pop ("Close to the Sun") to tender country-rock balladry ("The Middle of Nowhere," the sticky sweet "Candy Lilac"), chamber pop melancholy ("The Land of Flowers," "Child Bride"), and strutting late-'60s pop ("Queen of Swords"), with every stop along the way as melodic and cunning as the best power pop can be. Throughout, Harrison's gifts are as strong as ever and the album stands on equal ground with the Cotton Mather back catalog. Not quite as breathtaking as Kontiki, but that would be too much to ask for. Landing just short of that mark is nothing to sneeze at and each and every fan of power pop should make sure to rejoin team Cotton Mather for this fine album, and for the next 53 songs too.

Yep, 15 years later...15 years more lines on my face...lol...congrats Mr Harrison for ''Death Of The Cool''. I had give up to wait for a new Cotton album and after that long time...wow he come back with this effort...and wins. Great album, great fun, great feeling to have Cotton Mather back...a tour?...in Germany...that's too much of hoping for a little wonder...but who knows...:-) :-) :-) :-) :-)... five of six smiles for ''Death Of The Cool''...
Enjoy and have a good night
Frank
New link


Would love a re-up Frank.....when you get a chance.
ReplyDeleteHello Jerry, comes in a few minutes.
DeleteKind regards
Frank
It's up!
DeleteThanks a bunch!!!
ReplyDelete