The Three O'Clock - Arrive Without Travelling '85 & Ever After '87 (2002 EMI Records)Flac

The Three O'Clock were the quintessential L.A. Paisley Underground band. Lead singer and bassist

Michael Quercio in fact coined the term to describe the set of bands, including the Dream Syndicate, Rain Parade, Green on Red, and the Bangles, who incorporated the chiming guitars of the Byrds and the Beatles into their pop songs with a psychedelic bent, and the clothes to match. Beginning as the Salvation Army in 1982 as a three-piece and forsaking the name due to a conflict with the actual organization, the Three O'Clock originally included Quercio and guitarist Louis (formerly Gregg) Gutierrez. The band plied a garagey sound on its self-titled debut in 1982. When ex-Weirdos drummer Danny Benair and keyboardist Mickey Mariano joined for the follow-up EP Baroque Hoedown and the LP Sixteen Tambourines in 1983 (both released by Frontier Records), the band found a more polished, perfect pop sound.

In 1985 they released Arrive Without Travelling for I.R.S., followed by Ever After. Gutierrez departed in 1986. For their Warner Bros./Paisley Park debut (Prince was a fan), Vermillion, Jason Falkner was added on guitar. Sadly, it proved to be their undoing, as they never really fulfilled the label's expectations and Quercio refused to be pigeonholed as a pretty-boy pop star or spokesperson for the premature retro revival. Quercio continues to play in L.A. pop bands, while Gutierrez became a principal member of Mary's Danish, and Falkner is a solo recording artist. After years of turning down offers to reunite, the original lineup of the band (minus Mariano, who was replaced by Adam Merrin of the 88) re-formed to play the 2013 Coachella Festival. Soon after, Omnivore Records released The Hidden World Revealed, a collection of album tracks and rarities from the years with Frontier.

This is a release of E.M.I. records in 2002 with two albums on one disc. The first two releases for the band on a major label. For many critics ''Arrive Without Travelling'' is the most complete album of the band. For me personally the first three releases (Baroque Hoedown (ep), Sixteen Tambourines and Arrive...) are their best. But also later albums was quite good. A disappointment for sure was ''Vermillion'' from 1988. I think i will post later more from the band. Below is a review from allmusic.
I hope you enjoy the double album edition.

Cheers
           SB1

Review by allmusic.com:

The Three O'Clock's first major label album, after the superb Sixteen Tambourines and Baroque Hoedown, is a bit slicker and less specifically psychedelic than their earlier releases. Recorded in Berlin with British producer Mike Hedges, Arrive Without Travelling (the title, complete with U.K. spelling, comes from George Harrison's "The Inner Light") has a big, brash sound, from the blaring opener "Her Head's Revolving" to the multiply overdubbed choral vocals and hypnotic drum patterns of the droning closer "Spun Gold." The arrangements are slick, but they don't have the sterile, computerized feel of many mid-'80s pop records; Mike Mariano's keyboards are at the center of the sound, but Louis Gutierrez's guitar is prominent enough to recall the group's '60s roots. As always, Michael Quercio's inimitable voice and puckish lyrics are the album's love it or hate it factor, but song by song, this album probably features his strongest songwriting. "Her Head's Revolving" is a lost classic of a single, arguably the band's finest three minutes, and the gloriously hooky "Underwater" is nearly as good. "Mrs. Green," which shifts from a church organ-based verse to a swooning chorus, and the tenderly acoustic "The Girl With the Guitar (Says Oh Yeah)," co-written by Game Theory's Scott Miller, vary the otherwise power-poppy album. Later albums would continue Arrive Without Travelling's move away from the band's early paisley underground days with less impressive results, but this album rivals Sixteen Tambourines as the Three O'Clock's artistic peak.

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