Monday, 9 January 2017

The Lovin Spoonful - Do You Believe In Magic 1965 CD (FLAC)


The Album:
"Do You Believe in Magic" was the first hit for the Lovin' Spoonful, reaching the Top Ten in 1965. Not only did that establish them as one of the first and most important folk-rock groups, but the song itself has also lasted as one of the very best rock songs to celebrate rock'n'roll itself. Although it, and the Lovin' Spoonful, have been classified as folk-rock, "Do You Believe in Magic" also owed a lot to pop, soul, and the British Invasion in its magical blend. The folk elements, perhaps, were in the jug band sense of fun that was a Lovin' Spoonful specialty, as well as singer and composer John Sebastian's autoharp, an instrument mostly associated with folk music.
The autoharp could be heard on the catchy opening series of chords, which owed something to the British Invasion in its cheery mix of cheery major and minor chords. Sebastian has said, though, that the chord progressions of the song were largely based on some of the ones being used by Motown in the mid-1960s. It was a catchy tune, as many mid-1960s hits were, but it was different from much else in the hit parade in its veneration of rock'n'roll as an almost spiritual healing force. This reflected, of course, the joy of dancing to rock'n'roll experienced by the teenagers that were the group's primary fan base. But it also, if only indirectly, also reflected the joy that folkies such as those in the Lovin' Spoonful were discovering when they were led back to rock'n'roll by the Beatles and other British groups. That's not to diminish the quality of the music itself, highlighted by almost countryish flecks of electric guitar responding to the lyrics throughout; a brief but memorable low, almost growling guitar solo; and hauntingly bittersweet backup harmonies by the group during the last parts of the verses.

Biography
 
Right on the tails of the Beau Brummels and the Byrds, the Lovin' Spoonful were among the first American groups to challenge the domination of the British Invasion bands in the mid-'60s. Between mid-1965 and the end of 1967, the group was astonishingly successful, issuing one classic hit single after another, including "Do You Believe in Magic?," "You Didn't Have to Be So Nice," "Daydream," "Summer in the City," "Rain on the Roof," "Nashville Cats," and "Six O'Clock."
Like most of the folk-rockers, the Lovin' Spoonful were more pop and rock than folk, which didn't detract from their music at all. Much more than the Byrds, and even more than the Mamas & the Papas, the Spoonful exhibited a brand of unabashedly melodic, cheery, and good-time music, though their best single, "Summer in the City," was uncharacteristically riff-driven and hard-driving. More influenced by blues and jug bands than other folk-rock acts, their albums were spotty and their covers at times downright weak. As glorious as their singles were, they lacked the depth and innovation of the Byrds, their chief competitors for the crown of best folk-rock band, and their legacy hasn't been canonized with nearly as much reverence as their West Coast counterparts.
Leader and principal songwriter John Sebastian was a young veteran of the Greenwich Village folk scene when he formed the band in 1965 with Zal Yanovsky, who'd already played primitive folk-rock of a sort with future members of the Mamas & the Papas in the Mugwumps. Sebastian already had some recording experience under his belt, playing harmonica (his father was a virtuoso classical harmonica player) on sessions by folkies like Tom Rush and Fred Neil. The Spoonful were rounded out by Steve Boone on bass and Joe Butler on drums. After some tentative interest from Phil Spector (who considered producing them), they ended up signing with Kama Sutra. Sebastian's autoharp (which would also decorate several subsequent tracks) helped propel "Do You Believe in Magic?" into the Top Ten in late 1965.
The Lovin' Spoonful were torn asunder by a drug bust in 1967. Boone and Yanovsky were arrested in California for marijuana possession, and evidently got out of trouble by turning in their source. This didn't sit well with the burgeoning counterculture, which called for a boycott of Spoonful product, although the effect on their sales may have been overestimated; most of the people who bought Spoonful records were average teenage Americans, not hippies. Yanovsky left the band in mid-1967, to be replaced by Jerry Yester, former producer of the Association. (allmusic.com, Richie Unterberger)


I will loosely post this five disc box in the next time between other posts. They are all in flac.This just for information. The first Spoonful album in my opinion is a real 60's classic and they had more. Okay hope you like it and...
Cheers!
            Frank
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