Friday, 21 April 2017
Psychedelic Pop/21stCentury Sunshine Pop: Mark Wirtz Ear Theatre - Love Is Eggshaped - The Soundtrack (2005 Rev-Ola) Flac
One of the readers here wrote a few days ago Wirtz have a very british sound. And i think that's right. To me his music have a strong sixties feel under the surface of the songs. Wirtz make music for more than fifty years and had worked with a lot of great musicians. Wirtz have a universal vibe and that makes his music so great for me.
Shure he had also weak songs sometimes in his works but that is a common thing for musicians with a lot output. If you are not familiar with Mark Wirtz give it a try.
One last word: I would love to see an album of Wirtz and McCartney together!
Enjoy
Frank NEW FLAC LINK
Power Pop by Double Naught Spies - Solid Goldfinger (2004 Wizzard In Vinyl, Japan) mp3
Double Naught Spies play pop-driven guitar rock heavily influenced by the Beatles
and 1970s power pop bands. In that they're hardly unique; there were a
bunch of bands within Los Angeles itself in the late 1990s that drank
from the same well. Still, they purvey the form competently, with
cheerful vocal harmonies and some reasonably clever lyrics that can go
beyond the usual parameters of the love song.
Formed in the spring of 1996, the group includes former members of the little-known bands Atomic Boy and the Visionaries.(allmusic.com)
Fine melodic guitardriven Power Pop. This is a top notch album without fillers.Great songs and great arrangements make listen to the album to a real joy. Plus a great version of the Bay City Rollers ''I Only Wanna Be With You''.
Have fun
Frank mp3@320
Sorry, only mp3 :-(. If there is a kind soul with a Flac file please get in contact via email :-) .
Formed in the spring of 1996, the group includes former members of the little-known bands Atomic Boy and the Visionaries.(allmusic.com)
Fine melodic guitardriven Power Pop. This is a top notch album without fillers.Great songs and great arrangements make listen to the album to a real joy. Plus a great version of the Bay City Rollers ''I Only Wanna Be With You''.
Have fun
Frank mp3@320
Sorry, only mp3 :-(. If there is a kind soul with a Flac file please get in contact via email :-) .
Classic 90's Power Pop: Matthew Sweet - Girlfriend; Goodfriend 1991 (2006 Volcano) Flac & mp3
Girlfriend:
Matthew Sweet's third album is a remarkable artistic breakthrough. Grounded in the guitar pop of the Beatles, Big Star, Byrds, R.E.M., and Neil Young, Girlfriend melds all of Sweet's influences into one majestic, wrenching sound that encompasses both the gentle country-rock of "Winona" and the winding guitars of the title track and "Divine Intervention." Sweet's music might have recognizable roots, but Girlfriend never sounds derivative; thanks to his exceptional songwriting, the album is a fresh, original interpretation of a classic sound.
Goodfriend:
This rare promotional disc features alternate versions of most of the tracks from Girlfriend, plus two cover songs (the exception to the album concept being "Someone to Pull the Trigger," which is from the Altered Beast album). A home-recorded acoustic version of the normally crunch-heavy "Divine Intervention" shows up here as an appealing slab of amphetamine folk. Acoustic renditions of "Looking at the Sun" and "Winona" also work amazingly well. In addition, there are several live tracks, the cream of the crop being an appropriately bruised and searing version of Neil Young's "Cortez Killer" that features guest vocals by the Indigo Girls' Amy Ray. There are only a few minor missteps: for one, it's unnecessary to include two versions of "Girlfriend" (a live BBC radio track and a concert rendition), especially when neither comes close to the blistering guitar work by Robert Quine on the studio original. Also, the live version of the normally jangly "I've Been Waiting" is a bit too shaky to merit inclusion. Overall, however, this album stands on its own as an exceptionally strong work, and shouldn't be seen as strictly for Matthew Sweet fanatics.
This came 2006 by Volcano released as a double disc edition. These both albums got the highest rate at allmusic from staff and readers i think i've ever seen. 5 stars out of five by staff and readers for girlfriend and four and a half stars for Goodfriend by staff and readers, too. WOW!!! My rating is six sweeties out of five and five sweeties + three-fourth sweeties out of six for Goodfriend. :-)
Maybe Sweet's best album he ever delivered.
Enjoy it
Frank mp3 & mp3@320 You need both links for mp3 and both for Flac! New Flac 1 & New Flac 2
The Rubinoos - Anthology (2000) Flac & mp3
Being a power pop group in the 1970s was sort of like being a garage band in the '60s, a grunge group in the '90s, or an emo band in the '00s -- there were a ton of them and they all sounded pretty much alike. It took a band with something special to stand out in the crowd. Often this something was not enough to make the band famous or reach the charts but it was enough to make them influential and fondly remembered. The Rubinoos are one of these special groups. They had a boyish charm, great melodies, and plenty of rock & roll spirit, but it wasn't enough to make them stars. Still, they wrote some very good songs and deserve an anthology, if only for the insanely catchy almost-hit single "I Wanna Be Your Boyfriend." Other tracks that should have been hits include their peppy cover of Tommy James' "I Think We're Alone Now" and "Hard to Get." Each of the 16 songs compiled on this disc is a great pop song. If you are a fan of any of the modern pop underground bands like Sloan or the Shazam, you really should check out the Rubinoos. This is a great place to start.(allmusc.com)
Very nice collection of the band.
Have fun
Frank Flac1 & Flac2 You need both Flac links! mp3@320
Thursday, 20 April 2017
Majority One - Rainbow Rocking Chair 1969-71 (2005 RPM Records) Flac & mp3
Most of the songs from Majority One's
sole, self-titled album are on this 18-song compilation, filled out
with some tracks from non-LP singles (some issued under the names the Majority,
Black Label, and Rocky Cabbage), an alternate version of the B-side
"Friday Man," and the previously unissued "Letter from the Queen." The
material casually resembles the most cotton-candy, daintiest end of the Beatles'
late-'60s psych-pop, though only in approach and production, and not in
the quality of the actual songs.
Though the arrangements bear the
hallmarks of much British music of this sort from that period --
underwater-sounding distorted vocals, light orchestration, harpsichords,
high harmonies, images of royalty and childhood, blends of
hard-charging acoustic and electric guitars, a slight baroque classical
flavor, and an overall jovial bounce -- there's not much compelling
melodic substance. The uncharacteristically "Get Back Home" sounds a
little like the early (but still post-Denny Laine) Moody Blues when they rocked hard, and "Rainbow Rocking Chair" itself sounds like Majority One might have been listening to the airiest and poppiest late-'60s Pink Floyd
cuts (à la "Point Me at the Sky").
The two tracks here from early-'70s singles released under the name Rocky Cabbage are actually among the more impressive and mature, "Freedom" showing a power pop muscle to the guitars missing in much of their other recordings, and "Birds Must Learn to Fly" being a pleasant folk-rock ballad reminiscent of the late-'60s Beatles at their most laid-back. The music's still pleasant overall, though it doesn't stand out within its genre, and the liner notes run through the group's career in great detail.(allmusic.com)
This s a wonderful psychedelic pop effort with all the things an album like this need. To me the band was completely underrated.
Have fun
Frank Flac1 & Flac2 You need both Flac links! mp3@320
Though the arrangements bear the
hallmarks of much British music of this sort from that period --
underwater-sounding distorted vocals, light orchestration, harpsichords,
high harmonies, images of royalty and childhood, blends of
hard-charging acoustic and electric guitars, a slight baroque classical
flavor, and an overall jovial bounce -- there's not much compelling
melodic substance. The uncharacteristically "Get Back Home" sounds a
little like the early (but still post-Denny Laine) Moody Blues when they rocked hard, and "Rainbow Rocking Chair" itself sounds like Majority One might have been listening to the airiest and poppiest late-'60s Pink Floyd
cuts (à la "Point Me at the Sky"). The two tracks here from early-'70s singles released under the name Rocky Cabbage are actually among the more impressive and mature, "Freedom" showing a power pop muscle to the guitars missing in much of their other recordings, and "Birds Must Learn to Fly" being a pleasant folk-rock ballad reminiscent of the late-'60s Beatles at their most laid-back. The music's still pleasant overall, though it doesn't stand out within its genre, and the liner notes run through the group's career in great detail.(allmusic.com)
This s a wonderful psychedelic pop effort with all the things an album like this need. To me the band was completely underrated.
Have fun
Frank Flac1 & Flac2 You need both Flac links! mp3@320
Sixties Britain Girlie Pop: Twinkle - Golden Lights -The Singles 1964 - 1969 (RPM 1993)
This is a slightly expanded edition of the Golden Lights compilation that came out on RPM in 1993. Like the previous anthology, it includes both sides of her six 1964-1966 singles, two tracks from a rare 1965 EP, her 1969 Immediate single, and a late-'60s outtake. This upgrade adds a German version of her 1965 single "Tommy"; her 1974 single "Days"/"Caroline"; three songs from an unreleased film/album project called Michael Hannah, from the same era as the "Days" single; and the 1982 B-side "For Sale."
There's also enhanced CD film footage of her performing "Terry" at an April 1965 NME poll-winners concert. Does all of this add up to a must-have, if you already own the first Golden Lights CD? That depends on how fanatical a fan you are, though presumably it's mostly fanatics who bought the first reissue. The '60s material, even by '60s British girl group standards, is featherweight poppiness, but big fans of (for instance) Sandie Shaw could do worse than seek this out. The five 1970s tracks are better than you might expect: The songs are serviceable pop/rock without the gross faceless façade typical of much production from the era, sung in an innocent voice very much like that heard on her '60s stuff. The sound quality is a little subpar on the three previously unreleased '70s outtakes, due to unavailability of the original tapes, though it's not hard to listen to. "For Sale" suffers from mechanical early-'80s production, but again has more personality than much straight pop of the time, by virtue of her sheer guilelessness.(allmusic.com)
I be a sucker for stuff like this, maybe because it remembers me to my earliest childhood or maybe because my musical taste is a little odd. Who knows? But i don't give a damn. My life my fun.
This is the common edition from 1993. Only the best sixties stuff.
Enjoy
Frank Flac1 & Flac2 You need both Flac links! mp3@320
Mp3 files added to ''Pugwash - Earworm'' post from yesterday !
Hello Folks i just added the mp3 link in the Pugwash - Earworm post from yesterday.
Kind regards
Frank
Kind regards
Frank
Wednesday, 19 April 2017
Irish Power Pop: Pugwash - Earworm 2003 (Flac)
Earworm
Pugwash look poised to finally reap some well-deserved rewards.
Having been picked up by
the hip Australian label Karmic Hit, followed by a rave review in the
Sydney Morning Herald and a top five playlisting on Triple J (Aussie
Today FM) Pugwash look poised to finally reap some well-deserved
rewards. This Australia-only release from the criminally ignored Dublin
power-poppers combines the cream of their two albums to date –1999’s
Almond Tea and last year’s Almanac – in a nifty digi-pak complete with
enhanced video.
Chief Pugwasher Thomas Walsh constructs deceptively simple, gloriously melodic and harmony-laden songs, inspired by the classic pop of The Beatles, The Kinks and XTC with occasional nods to the psychedelic era. But despite the preponderance of Rickenbackers, Meletrons and strings, this is no retro indulgence fest, as evidenced by the bang-up-to-date textures of last year’s ‘Apples’ – surely one of the finest ever Irish singles and the equally sublime ‘Monorail’, a song the Eels would kill for.
Other gems well worth hearing again and again include the jangly ‘Keep Moving On’, ‘The Finer Things In Life’ and the Ray Davies -like ‘Emily Regardless’. The well-connected Jason Falkner (Beck, Air and Aimee Mann ally) lends a hand on several tracks on this ingeniously titled album, a record which demonstrates pretty conclusively why this outfit should (and no doubt will) be heard more widely in the future.
This is like nearly all albums by Pugwash a well working thing. The best stuff (but you can take all other songs) of the first two releases is compiled here. I don't know if the two conventional albums would released back then in Australia. This is an Australia only release. Never mind. Six stars of possible six!
Enjoy
Frank Flac1 & Flac2 You need both Flac links! New mp3 link here!
Psychedelic Pop/Sunshine Pop: The Sundowners - Captain Nemo 1968 (2007 Rev-Ola) Flac & mp3
While pop/rockers the Sundowners
never scored a hit during their career in the mid-'60s, for such a
little-known band they managed to cast a long shadow, touring with some
of the biggest acts of the day and appearing on television and in major
motion pictures. Formed in Lake George, NY in 1959, the original lineup
of the Sundowners consisted of Eddie Brick on lead vocals, Dominick DeMieri on lead guitar and vocals, Eddie Placidi on guitar and vocals, Bobby Dick on bass and vocals, and Kim Capli
on drums. In 1965, after earning a loyal local following, the group cut
a single for the Coed Records label, "Leave Me Never" backed with a
cover of Chuck Berry's "Around and Around." In 1966, the Sundowners
moved to Los Angeles in hopes of shifting their career into high gear,
and cut a second single for Filmways Records featuring two original
songs, "Ring out Wild Bells" b/w "When the Sun Goes Down."
In 1967, the Sundowners were playing an engagement at the famed Sunset Strip club Ciro's when Michael Nesmith of the Monkees saw the band perform; impressed, he invited them to join the group's summer concert tour as their opening act, and they also backed the Monkees for a show-closing medley of rock oldies. (The tour's openers also included Jimi Hendrix and Ike & Tina Turner, putting the Sundowners in excellent company.)
In 1967, they were signed to Decca Records, and released the Beatlesque single "Always You" b/w "Dear Undecided"; the A-side was written by Tony Asher and Roger Nichols, and the sessions were produced by studio legend Bones Howe. In 1968, the band released their only LP, Captain Nemo, which was produced by guitarist DeMieri. While the album would become a cult favorite with fans of sunshine pop and light psychedelia, it didn't sell well, and the group fared better as actors in the year of its release.
In February, the Sundowners guest starred as "The Raspberry Wristwatch" on "A Very Warm Reception," an episode of the espionage drama It Takes a Thief, while in September they appeared as "Sonny and the Sundowners" (with Paul Petersen playing their lead singer) on the "Song of Bertrille" episode of the comedy The Flying Nun. The Sundowners can also be seen and heard briefly in the movie Don't Make Waves, which starred Tony Curtis, Claudia Cardinale and Sharon Tate(allmusic.com)
Without words. I am a big lover of this kind of music and maybe you will
also enjoy!
Frank Flac1 & Flac2 You need both Flac links! mp3@320
In 1967, the Sundowners were playing an engagement at the famed Sunset Strip club Ciro's when Michael Nesmith of the Monkees saw the band perform; impressed, he invited them to join the group's summer concert tour as their opening act, and they also backed the Monkees for a show-closing medley of rock oldies. (The tour's openers also included Jimi Hendrix and Ike & Tina Turner, putting the Sundowners in excellent company.)
In 1967, they were signed to Decca Records, and released the Beatlesque single "Always You" b/w "Dear Undecided"; the A-side was written by Tony Asher and Roger Nichols, and the sessions were produced by studio legend Bones Howe. In 1968, the band released their only LP, Captain Nemo, which was produced by guitarist DeMieri. While the album would become a cult favorite with fans of sunshine pop and light psychedelia, it didn't sell well, and the group fared better as actors in the year of its release.
In February, the Sundowners guest starred as "The Raspberry Wristwatch" on "A Very Warm Reception," an episode of the espionage drama It Takes a Thief, while in September they appeared as "Sonny and the Sundowners" (with Paul Petersen playing their lead singer) on the "Song of Bertrille" episode of the comedy The Flying Nun. The Sundowners can also be seen and heard briefly in the movie Don't Make Waves, which starred Tony Curtis, Claudia Cardinale and Sharon Tate(allmusic.com)
Without words. I am a big lover of this kind of music and maybe you will
also enjoy!
Frank Flac1 & Flac2 You need both Flac links! mp3@320
Power Pop by Tommy Keene - In the Late Bright (2009) Flac & mp3
Tommy Keene
is best known to smart pop obsessives for the superb songwriting that's
dominated the handful of great albums he's released since 1984,
including Songs from the Film, The Real Underground, and Ten Years After. But Keene has also established himself as a first-class guitarist, having toured as a sideman with the likes of Paul Westerberg and Robert Pollard, and on his 2009 album, In the Late Bright, Keene has given his guitar work a greater prominence than on many of his previous albums. No, In the Late Bright isn't dominated by ten-minute guitar workouts full of Eddie Van Halen style acrobatics (or even the manic soloing Keene used to close out his brilliant cover of Lou Reed's "Kill Your Sons"), but the five-minute instrumental "Elevated" demonstrates how much menace and atmosphere Keene can conjure with his instrument, and the soaring hard rock tone of "The Right Time to Fly" and "Goodbye Jane" find Keene allowing himself a little more room to swagger than usual.
And the great guitar work on In the Late Bright is, as usual, in the service of a stack of great songs; his melodies are both hooky and robust, capturing a broad range of deep tonal colors, and with Jon Richardson on drums, this album features some of the most satisfying rock & roll of Keene's long and distinguished career. The big guitars and forceful tone of In the Late Bright are hardly without precedent in Tommy Keene's career -- this is one popmeister who's always known how to rock out -- but the rich wallop of this disc's best moments make it clear that he isn't slowing down or mellowing with age, and after 2006's fine Crashing the Ether, this shows him continuing to move from strength to strength.
Godfather of Power Pop demonstrates his top notch guitar skills and his abilities of songwriting here.
Very good album with a fun factor of five strings of usual six.
Enjoy it
Frank
Flac1 & Flac2 You need both Flac links
mp3@320
And the great guitar work on In the Late Bright is, as usual, in the service of a stack of great songs; his melodies are both hooky and robust, capturing a broad range of deep tonal colors, and with Jon Richardson on drums, this album features some of the most satisfying rock & roll of Keene's long and distinguished career. The big guitars and forceful tone of In the Late Bright are hardly without precedent in Tommy Keene's career -- this is one popmeister who's always known how to rock out -- but the rich wallop of this disc's best moments make it clear that he isn't slowing down or mellowing with age, and after 2006's fine Crashing the Ether, this shows him continuing to move from strength to strength.
Godfather of Power Pop demonstrates his top notch guitar skills and his abilities of songwriting here.
Very good album with a fun factor of five strings of usual six.
Enjoy it
Frank
Flac1 & Flac2 You need both Flac links
mp3@320
Peruvian Beatles Pop: We All Together - Singles 1973-74 (2011) Flac & mp3
The Peruvian band We All Together, though unknown beyond a core cluster of cultists, was among the prime exponents of Beatlesque pop/rock in the early '70s. Led by singer and frequent composer Carlos Guerrero, who (along with some other members) had been in the Peruvian rock band Laghonia, they released two albums (singing in English) in the first half of the '70s
. These were fashioned after the lighter side of the late-'60s Beatles, particularly in the vocal harmonies, melodic tunes, and sophisticated arrangements blending keyboards, acoustic guitars, and electric guitars in a graceful manner. Although Lennon, McCartney, and for that matter, Harrison's influence, show up in We All Together's work, they had more of an affinity for McCartney's engaging melodicism, to the point of covering some obscure, early McCartney solo tunes.
On their second album, they also reached into some British progressive rock riffs, although the Beatles vibe remained dominant. With the exception of Badfinger, they may have been the best band of their time to play in an avowedly Beatlesque style. Their albums, once all but impossible to find in the Northern Hemisphere, were reissued in the U.S. in the late '90s.(allmusic.com)
This is a very fine collection of very beatlesque songs and i second what Mr Unterberger said: I think they were really the best band after Badfinger in this style. Here are some very very good songs on the album and i recommend to give it a listen if you don't know the band yet.
Three cheers to Lima and Liverpool
Frank
Flac1 & Flac2 You need both Flac links! mp3@320
Australian Pop by Birtles & Springfield
Like fellow Aussies the Sherbs, Zoot never escaped teen-star status. But as Zoot Locker proves, they were certainly adapt at churning out clever pop tracks. Because of their time period, Zoot used every trick in the psychedelic book; but most songs maintain the three-minute mark, resulting in shrewd and skewered singles much like the Move delivered. Innocent innocuousness such as "Monty & Me" about walking the dog or "One Times Two Times Three Times Four" seems unfairly buried in the past. Of course, Beatles nods abound, such as the Lennon-isms of "Hey Pinky." With this smoking version of "Eleanor Rigby" the quartet attempted to jettison their early "pink" image, jumping aboard the bizarre "heavy covers" bandwagon with Vanilla Fudge and Rare Earth. The Hollies are another pervasive influence ("Flying" shares rhyme schemes with "Dear Eloise" over a "Helter Skelter" riff) while "Mr Songwriter" echoes the Byrds by way of Dylan. "Freak" foreshadows "Highway Star" and many Sweet moments. The informative liner notes guide the listener through this startlingly sterling posthumous collection, proving Zoot was much more than a mere launching pad for Rick Springfield and Little River Band.
Forming in Adelaide, South Australia, in 1966 and calling themselves "Down the Line," a soon re-badged Zoot achieved local fame on the dance scene before moving to Melbourne in 1968. Shortly after their pink-fuelled launch, their second single, "One Times, Two Times, Three Times, Four," peaked at number 32 on the Melbourne charts and the band began playing the Melbourne TV show Uptight regularly. Their next single, "Monty and Me," hit number one in Brisbane and the band, along with local contemporaries the Valentines, the Flying Circus, and New Dream, developed a strong teen following with their blend of disposable pop. Replacing guitarist Roger Hicks with Rick Springfield saw the band's sound begin to mature, and they toured with the cream of Australian pop on the national Operation Starlift Tour in September 1969. They ended the year by being voted Top Australian Group in Go-Set magazine's Pop Poll.
Despite burning their former pink outfits for the cameras and baring their backsides for Go-Set, their next single, "Hey Pinky" (April 1970), failed to chart. Nevertheless, the band placed second to the Flying Circus in Hoadley's National Battle of the Sounds final in July 1970 and released their debut album, Just Zoot, the following month. The band achieved their biggest hit with their next single, a cover of the Beatles' "Eleanor Rigby," which peaked at number four on the national charts in March 1971. The single later achieved gold status after being re-released by EMI in 1979 and Zoot formed a reputation for performing heavy covers of well-known songs. Zoot's next single, "The Freak," failed to achieve chart success and, still haunted by their former teen-star status, the group disbanded in May. Several of the bandmembers continued successful careers in music and film, including Rick Springfield, who went on to achieve international success as a singer and actor in the U.S.
Very good sixties pop.
Enjoy it!
Frank Flac1 & Flac2 You need both Flac links! mp3@320
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