This obscure trio -- Terry Brake (guitar, vocals), Brian Crane (guitar, vocals), and Neil Mitchell (bass) -- made a little-known album of somewhat precious British folk-pop-rock, 1970's Scenery, dominated by Brake and Crane's vocal harmonies. The record was produced by Dave Cousins and Tony Hooper of the Strawbs, and engineered by Tom Allom, who later produced many Strawbs recordings.(allmusic.com)
This quite obscure British pop-folk-rock effort might hold some interest
for intense fans of British folk-rock of the late 1960s and early '70s,
if only because it was produced by two members of one of the major
bands in that genre (Dave Cousins and Tony Hooper of the Strawbs). Compared to the Strawbs, however -- and, for that matter, most British folk-rock acts -- Paper Bubble
were far more lightweight. Emphasizing the close, merry harmonies of
guitarists Terry Brake and Brian Crane, many of the tracks have a
bouncy, singalong feel that's too happy-go-lucky, in fact, if you're in
the wrong mood, though there are occasional breaks into more wistful
numbers. Though bassist Neil Mitchell was the only other member of the
group, the sound is thickened with some piano, light orchestration, and
vague psychedelic textures. Like much American sunshine pop of the
period, however, it has an upbeat vibe that verges on the sappy at
times, even if this particular record isn't too strongly related to the
sunshine pop style, with an innocent childlike escapist quality found in
much British psychedelia of the time. And like many such efforts, it
has pleasant surface qualities, but lacks memorable depth or truly
standout compositions.
In this context, the least characteristic track,
"Mother Mother Mother," rocks like the devil, with berserk organ breaks,
effective distorted electric guitar licks, a hard cheery folk-rockin'
verve absolutely missing from the rest of the LP. It's the standout
number on the record -- and was, in fact, anthologized in 1983 on the Broken Dreams, Vol. 3 compilation of psychedelic British rock rarities -- but, unfortunately, was the only hint of such brazen energy Paper Bubble ever displayed.
Very good Folk PopSunshine Pop with catchy melodies. It is a really good album and the compositions are maybe not standout but pretty good. I recommend it if you are in sunshine pop/british psychedelia.
Have fun
Frank Flac1 You need...yes...both links! Flac2
Wednesday, 5 April 2017
Cheap Trick: The Complete Epic Albums: Album 8) One On One (1982) Flac
This is the first album without Tom Peterson and the seventh of the band (i numbered it in the headline album 8 because of the ep) . For the first time with Jon Brant. The album begins strong with I Want You, followed by the title track rocker One On One. Track three works with beatlesque harmonies and a very strong refrain. Very strong song in my humble opinion.
The album peaked at 39 and eventually going platinum.
Okay, tomorrow the next albums will follow. There are five more to come.
Hope you enjoy the Epic album line
Cheers
Frank Flac1 You need both links! Flac2
The album peaked at 39 and eventually going platinum.
Okay, tomorrow the next albums will follow. There are five more to come.
Hope you enjoy the Epic album line
Cheers
Frank Flac1 You need both links! Flac2
Cheap Trick: The Complete Epic Albums: Album 7) All Shook Up 1980 Flac
All Shook Up was the last album with Tom Peterson for the next eight years. For this effort the band worked together with Beatles producer George Martin. The Single Stop this game failed the Top 40 in the US. Nevertheless the album cracked the Top 40 with peaking 24 and going for gold. Just Got Back is the first song on the album where (imho) the work of Martin became explicit. Also in World's Greatest Lover. And for sure the best songs here are the songs where the work of Martin is explicit.
I think with this album the band tried to jump in the next decade with their sound. It don't worked always well.
Okeydokey, here is album 8 for your pleasure,
enjoy it
Frank Flac 1 You need both links! Flac 2
I think with this album the band tried to jump in the next decade with their sound. It don't worked always well.
Okeydokey, here is album 8 for your pleasure,
enjoy it
Frank Flac 1 You need both links! Flac 2
Cheap Trick: The Complete Epic Albums: Album 6) Found All The Parts (EP) 1979 Flac
Found All The Parts was an ep from 1979 with four tracks, two in the studio and two live tracks. One from the '78 Japan tour and the other track from the '79 US tour.
Have fun,
Frank Flac
Power Pop Classic from 1979: The Sports - Don't Throw Stones (2014 Expanded Remaster) Flac
Bio:
Formed in Melbourne, Australia in 1976, the Sports featured Steve Cummings (lead vocals) Martin Armiger (guitar), Andrew Pendlebury (guitar), Jim Niven (keyboards/vocals), Robert Glover (bass) and Paul Hutchins (drums). Influenced by rock, rockabilly, country and new wave, the band recorded several exquisite pop songs in the new wave style which charted well, particularly in Melbourne. National success followed but as the original members left the band had less impact. After supporting Graham Parker on his tour of Australia during 1978, the Sports were invited to tour with him in Europe and England. Records were released but did not make a big impact in either Europe or the States. They undertook several large tours around Australia, released several more singles and the fourth album, but were no longer progressing. Personnel upheavals during the early 80s, saw Hutchins replaced in turn by Ian McLennan then Freddie Strauks (ex-Skyhooks). The Sports eventually broke-up at the end of 1981. After they disbanded Cummings ventured into a solo career, occasionally collaborating with Pendlebury who has also recorded three instrumental guitar albums. Armiger moved into production in television and stage as well as rock music.
The Album:
The U.S. version of an Australian hit, Don't Throw Stones took its impetus from the four-song EP released in the U.K. earlier in 1979, a veritable "best-of" digest that opened with what remains the Sports' finest hour, "Who Listens to the Radio?." Two further songs from the EP ("Suspicious Minds" and "So Obvious") reappear on the album, while Arista also chose to cull three songs from the Aussie release, and replace them with numbers from the band's debut, Reckless. The substitutions don't show. The Sports boasted a remarkably consistent sound throughout their career, with their earliest albums in particular snapping seamlessly into the box marked "new wave pop." It is unfair, however, to see them compared to Joe Jackson, when the Sports were sounding like this some time before Jackson really got going. Rather, they draw from the same wellspring of inspiration as he did: a little bit Costello, a little bit Graham Parker, a little bit Tom Petty (from the days when his Heartbreakers were still being marketed as a new wave act in their own right), and so on. But "Who Listens to the Radio" marks out the band's own strengths, with "Wedding Ring" and "Mailed It to Your Sister" both bringing up the rear in fine style. A word, too, for "Big Sleep," the album's closer and positively the most unexpectedly downbeat finale that any so-called pop album has ever employed. [An Australian version of the album was also released.
With ''Don't Throw Stones the australian band caught attention in the US and in the UK. But also other european countries were interested in the band. If you don't know the band and/or the album give it a try, you won't not regret it. This is the expanded edition from 2014 with 37 songs.
I want to say Thanks to Javier, a reader of this blog who contributed the album.
Enjoy it
Frank FLAC 1 You need both links! FLAC 2
Formed in Melbourne, Australia in 1976, the Sports featured Steve Cummings (lead vocals) Martin Armiger (guitar), Andrew Pendlebury (guitar), Jim Niven (keyboards/vocals), Robert Glover (bass) and Paul Hutchins (drums). Influenced by rock, rockabilly, country and new wave, the band recorded several exquisite pop songs in the new wave style which charted well, particularly in Melbourne. National success followed but as the original members left the band had less impact. After supporting Graham Parker on his tour of Australia during 1978, the Sports were invited to tour with him in Europe and England. Records were released but did not make a big impact in either Europe or the States. They undertook several large tours around Australia, released several more singles and the fourth album, but were no longer progressing. Personnel upheavals during the early 80s, saw Hutchins replaced in turn by Ian McLennan then Freddie Strauks (ex-Skyhooks). The Sports eventually broke-up at the end of 1981. After they disbanded Cummings ventured into a solo career, occasionally collaborating with Pendlebury who has also recorded three instrumental guitar albums. Armiger moved into production in television and stage as well as rock music.
The Album:
The U.S. version of an Australian hit, Don't Throw Stones took its impetus from the four-song EP released in the U.K. earlier in 1979, a veritable "best-of" digest that opened with what remains the Sports' finest hour, "Who Listens to the Radio?." Two further songs from the EP ("Suspicious Minds" and "So Obvious") reappear on the album, while Arista also chose to cull three songs from the Aussie release, and replace them with numbers from the band's debut, Reckless. The substitutions don't show. The Sports boasted a remarkably consistent sound throughout their career, with their earliest albums in particular snapping seamlessly into the box marked "new wave pop." It is unfair, however, to see them compared to Joe Jackson, when the Sports were sounding like this some time before Jackson really got going. Rather, they draw from the same wellspring of inspiration as he did: a little bit Costello, a little bit Graham Parker, a little bit Tom Petty (from the days when his Heartbreakers were still being marketed as a new wave act in their own right), and so on. But "Who Listens to the Radio" marks out the band's own strengths, with "Wedding Ring" and "Mailed It to Your Sister" both bringing up the rear in fine style. A word, too, for "Big Sleep," the album's closer and positively the most unexpectedly downbeat finale that any so-called pop album has ever employed. [An Australian version of the album was also released.
With ''Don't Throw Stones the australian band caught attention in the US and in the UK. But also other european countries were interested in the band. If you don't know the band and/or the album give it a try, you won't not regret it. This is the expanded edition from 2014 with 37 songs.
I want to say Thanks to Javier, a reader of this blog who contributed the album.
Enjoy it
Frank FLAC 1 You need both links! FLAC 2
Cheap Trick: The Complete Epic Albums: Album 5) Dream Police [2006 Expanded Edition] (1979)
Cheap Trick: The Complete Epic Albums: Album 4) At Budokan The Complete Concert (1998) Disc 4 & 5
Tuesday, 4 April 2017
The Flies - The Complete Collection 1965 - 1969 (Acme 2001) Flac
The minor British band the Flies
are most well-known for a couple of things, neither of which entirely
prepares listeners for the pretty average brand of pop-psychedelia on
most of their recordings. One is their debut single, "(I'm Not Your)
Stepping Stone," issued at the end of 1966, which is a hard rock
treatment of a number more associated with the Monkees, but with plenty of crunching fuzz guitar. It wasn't a hit, but it did start to get the Flies a reputation among psychedelic collectors after being included in the very first compilation of rare British psychedelia, Chocolate Soup for Diabetics.
The other thing they're notorious for are their sometimes outrageous
live performances, particularly their appearance at the 14-Hour
Technicolour Dream psychedelic festival in April 1967 in London, where
they arranged to have hundreds of bags of flour explode and cover the
audience at the end of their set.
The Flies grew out of an East London band called the Rebs, and in 1965 they recorded a British Invasion exploitation album under the name of the In-Sect, all but one of the songs on the LP being covers of contemporary hits. By the end of 1966 they were signed to Decca and were recording as the Flies
, though they issued only a couple of singles for the label. Arguably, their version of "(I'm Not Your) Stepping Stone" is overrated, and not particularly psychedelic, What's more, it wasn't too typical of their output, which on the Decca singles, at least, was filled out by unmemorable pop and pop-psych numbers with prominent vocal harmonies, in the manner of many other fair but unremarkable British groups recording non-hit discs at the time.
The Flies did manage to put out one more single on
RCA in 1968, another middling piece of pop-psych titled "The Magic
Train." Some unissued demos from the time show the band moving toward a
more organ-based, ethereal sound, but the group disbanded at the end of
that year. Members surfaced in the subsequent obscure British
psychedelic/progressive groups Infinity, Please, Bulldog Breed, and T2. In addition, while still in the Flies, singer Robin Hunt recorded a very British, fey pop/rock-psychedelic 1967 single for CBS under the pseudonym Alexander Bell, "Alexander Bell Believes"/"A Hymn...With Love." All six sides of the three Flies singles, as well as both sides of the Alexander Bell 45, various 1965-68 demos, and cuts from the In-Sect album, were reissued on the CD Complete Collection 1965-1968
One of my favorite pop garage albums. This is top notch popsike. Highly recommend.
Take it, you will love it if you are in this kind of stuff
Fly with the Flies and
enjoy
Frank Flac1 You need both links! Flac2
The Flies grew out of an East London band called the Rebs, and in 1965 they recorded a British Invasion exploitation album under the name of the In-Sect, all but one of the songs on the LP being covers of contemporary hits. By the end of 1966 they were signed to Decca and were recording as the Flies
, though they issued only a couple of singles for the label. Arguably, their version of "(I'm Not Your) Stepping Stone" is overrated, and not particularly psychedelic, What's more, it wasn't too typical of their output, which on the Decca singles, at least, was filled out by unmemorable pop and pop-psych numbers with prominent vocal harmonies, in the manner of many other fair but unremarkable British groups recording non-hit discs at the time.
Take it, you will love it if you are in this kind of stuff
Fly with the Flies and
enjoy
Frank Flac1 You need both links! Flac2
Cheap Trick: The Complete Epic Albums: Album 3) Heaven Tonight [1998 Expanded Edition] (1978)
Cheap Trick: The Complete Epic Albums: Album 2) In Color [1998 Expanded Edition] (1977) Flac
The Complete Epic Albums: Album 1) Cheap Trick - Cheap Trick [1998 Expanded Edition] (1977)
Here are the complete Epic albums remastered and in expanded edition. I will post the albums one after another in the next days. There are 14 albums all in all. Hope you enjoy.
Bio Cheap Trick: (by allmusic.com)
Combining a love for British guitar pop songcraft with crunching power chords and a flair for the absurd, Cheap Trick provided the necessary links between '60s pop, heavy metal, and punk. Led by guitarist Rick Nielsen, the band's early albums were filled with highly melodic, well-written songs that drew equally from the crafted pop of the Beatles, the sonic assault of the Who, and the tongue-in-cheek musical eclecticism and humor of the Move.
Their sound provided a blueprint for both power pop and arena rock; it
also had a surprisingly long-lived effect on both alternative and heavy
metal bands of the '80s and '90s, who often relied on the same
combination of loud riffs and catchy melodies.
Cheap Trick's roots lie in Fuse, a late-'60s band formed by Rick Nielsen and bassist Tom Petersson in Rockford, Illinois. The group released an album on Epic in 1969; after it failed to gain any attention, the band relocated to Philadelphia and changed their name to Sick Man of Europe. The group toured Europe unsuccessfully in 1972 and returned to Illinois in 1973. Not long after their return to Rockford, Nielsen and Petersson changed their band's name once more -- this time to Cheap Trick -- and added drummer Bun E. Carlos and vocalist Randy "Xeno" Hogan to the lineup. Hogan was fired the following year, making room for ex-folksinger Robin Zander to join the group. Between 1975 and the band's first album in 1977, Cheap Trick toured constantly, playing over 200 concerts a year while occasionally opening for the likes of the Kinks, Kiss, Santana, AC/DC, and Queen. During this time, the band built up a solid catalog of original songs that would eventually comprise their first three albums; they also perfected their kinetic live show.
Cheap Trick
signed with Epic in 1976 and released their self-titled debut early the
following year. The record sold well in America, yet it failed to
chart. However, the group became a massive success in Japan, and the
album went gold upon release. Later that year, the band released their
second album, In Color. It backed away from the harder-rocking side of Cheap Trick,
featuring slicker production and quieter arrangements that spotlighted
the band's melodic skills instead. Due to their constant touring, the
record made it into the U.S. charts, peaking at number 73.
It became
another gold-seller in Japan, however, where the musicians had become
virtual superstars. Their Japanese concerts began selling out within two
hours, and they packed the sizable Budokan Arena.
Cheap Trick's
concerts at Budokan were recorded for possible release, although the
live album didn't appear until the band's third album, 1978's Heaven
Tonight, was first released. That third album captured both the loud,
raucous energy of Cheap Trick's
debut and the hook-laden songcraft of In Color, leading to their first
Top 100 single, "Surrender," which peaked at number 62. However, the
live performances on At Budokan
(1979) captured the band's energetic, infectious live show, resulting
in their commercial breakthrough in America. The album stayed on the
charts for over a year, peaking at number four and eventually selling
over three million copies. Meanwhile, a live version of "I Want You to
Want Me" became their first Top Ten hit. Later that year, the group
released their fourth studio album, Dream Police, which followed the same stylistic approach as Heaven Tonight. It also followed At Budokan
into the Top Ten, selling over a million copies and launching the Top
40 hit singles "Voices" and "Dream Police." In the summer of 1980, the
group released an EP of tracks recorded between 1976-1979 called Found All the Parts.
Following the recording of the George Martin-produced All Shook Up, Petersson left the group in the summer of 1980 to form a group with his wife, Dagmar.
He was replaced by Jon Brant. Released toward the end of 1980, All Shook Up performed respectably, peaking at number 24 and going gold, yet the single "Stop This Game" failed to crack the Top 40. One on One, the group's seventh album and the first recorded with Brant, appeared in 1982. Although it peaked at number 39, the record was more successful than All Shook Up,
eventually going platinum. Nevertheless, the group was entering a
downhill commercial slide, despite the fact that its music was becoming
increasingly polished. Next Position Please, released in 1983, failed to launch a hit single and spent only 11 weeks on the charts. Standing on the Edge (1985) and The Doctor (1986) suffered similar fates, as the group was slowly losing its creative spark.
Petersson
rejoined the band in 1988 and the group began working on a new record
with the help of several professional songwriters. The resulting record,
Lap of Luxury, was a platinum Top 20 hit, featuring the number one power ballad "The Flame" and a Top Ten version of Elvis Presley's "Don't Be Cruel." Busted, released in 1990, wasn't as successful as Lap of Luxury, peaking at number 48 and effectively putting an end to the group's commercial comeback.
Cheap Trick soldiered into the new decade by signing with Warner Bros. in 1994 and releasing Woke Up with a Monster, which peaked at number 123 and spent two weeks on the albums chart. That same year, Epic released a sequel to At Budokan, aptly titled Budokan II. Compiled from the same shows as At Budokan, the record served as an an effective reminder of why the group had become so popular in the late '70s.
In 1995, Cheap Trick asked to leave Warner's roster after the label's chief executives, Lenny Waronker and Mo Ostin, departed. The band then decided to go back to the basics, and several alt rock superstars who had been influenced by Cheap Trick gave the band opportunities to restore its reputation. The Smashing Pumpkins
had the band open their tour in 1995, and the group played several
dates on the 1996 Lollapalooza Tour. That same year, the box set Sex, America, Cheap Trick
appeared to positive reviews, and the band signed with the fledgling
indie label Red Ant-Alliance before setting to work on a new album.
Early in 1997, the group released a Steve Albini-produced single on Sub Pop, which was followed by the eponymous Cheap Trick,
their acclaimed debut for Red Ant-Alliance, in the spring.
Unfortunately, Red Ant-Alliance filed for bankruptcy seven weeks after
the album's release, sadly putting a sudden halt on the group's building
momentum.
On April 30, 1998, the group launched a four-night
residence in Chicago, devoting each show to reprising one of their first
four albums in its entirety. Those shows later yielded a 1999 live LP, Music for Hangovers,
which the musicians issued on their own Cheap Trick Unlimited label. A
band-authorized hits collection followed in 2000. By the dawn of the new
millennium, Cheap Trick
were still without a label, but had retained their loyal following by
continually touring the world. Appropriately, another live set saw the
light of day in 2001. Entitled Silver,
the double-disc album (and companion DVD) documented the band's
star-studded, career-spanning 25th anniversary show on August 28, 1999.
The band also recorded another studio album, released in 2003 as Special One. It was followed in 2006 by Rockford, named in tribute to the band's hometown, and then The Latest in 2009. Cheap Trick also maintained a heavy touring ethic, canvassing America that summer alongside Def Leppard and releasing their tribute to the Beatles with Sgt. Pepper Live. In late 2015, Cheap Trick signed with powerhouse country label Big Machine Records, and their first album for their new sponsors, Bang, Zoom, Crazy... Hello, was released in April 2016. It was the first Cheap Trick release since the departure of drummer Bun E. Carlos from the band. Daxx Nielsen, Rick's son, became the group's new percussionist in 2010.
Cheap Trick's roots lie in Fuse, a late-'60s band formed by Rick Nielsen and bassist Tom Petersson in Rockford, Illinois. The group released an album on Epic in 1969; after it failed to gain any attention, the band relocated to Philadelphia and changed their name to Sick Man of Europe. The group toured Europe unsuccessfully in 1972 and returned to Illinois in 1973. Not long after their return to Rockford, Nielsen and Petersson changed their band's name once more -- this time to Cheap Trick -- and added drummer Bun E. Carlos and vocalist Randy "Xeno" Hogan to the lineup. Hogan was fired the following year, making room for ex-folksinger Robin Zander to join the group. Between 1975 and the band's first album in 1977, Cheap Trick toured constantly, playing over 200 concerts a year while occasionally opening for the likes of the Kinks, Kiss, Santana, AC/DC, and Queen. During this time, the band built up a solid catalog of original songs that would eventually comprise their first three albums; they also perfected their kinetic live show.
Once again, for the third time. The Standells Link 2
link2
Sorry for that. I don't know what happened with this f....... link. Please try this link. Should it not work again i make a complete new post. If it work i put the link in the post for making it complete. Please try and comment.
grrrmmbll
Frank
I just tried the second link and to me it works. I hope it is fixed now.
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