Lookout for this high-energy, bubble-blast of true
emotion, simulated swagger and Johnny Zip's flying V. The only bad thing
about Nick Gilder's deep-blue debut pearl is that the shining You Know Who You Are
signals the beginning of the end. No one knew at the time, but the late
'70s would compress pop to the point of celestial explosion. Sure,
there have been some great variations on the theme since, but listening
to the luminous You Know Who You Are
nowadays is most sentimental, as it's a fleeting close encounter of the
kind that must come to a close. If you need to hear how amazing these
takes on Gilder's Sweeney Todd
leftovers "Roxy Roller" and "Tantalize" are, what are you waiting for?
Then there's "Genevieve" and "Amanda Greer," two haunting gazelles who will never see the light of disc. Let this "Poor Boy" tuck you in at night illuminating illicit images of X-queens between the seats, with the radio playing familiar tin-can beats, before he sails away on a gentle breeze. Glammaster Gilder nailed a number one on his sophomore effort, City Nights, and then polished off the '70s with a near-perfect supernova flourish, Frequency. Like a true '70s star, he disappeared (for the most part) with the delectable decade he helped define, running away in the night, bidding fond farewell, and never going back to his old school, where he taught an endless wave of inferior influences the finer points of back-street noise and plastic metal.
For me personally a great album and i hope you like Gilder, too. I will post also two other albums later.
Have fun
Frank
320
Then there's "Genevieve" and "Amanda Greer," two haunting gazelles who will never see the light of disc. Let this "Poor Boy" tuck you in at night illuminating illicit images of X-queens between the seats, with the radio playing familiar tin-can beats, before he sails away on a gentle breeze. Glammaster Gilder nailed a number one on his sophomore effort, City Nights, and then polished off the '70s with a near-perfect supernova flourish, Frequency. Like a true '70s star, he disappeared (for the most part) with the delectable decade he helped define, running away in the night, bidding fond farewell, and never going back to his old school, where he taught an endless wave of inferior influences the finer points of back-street noise and plastic metal.
For me personally a great album and i hope you like Gilder, too. I will post also two other albums later.
Have fun
Frank
320


FYI - Gilder and McCullouch left Sweeney Todd in 1976, before "If Wishes Were Horses." A young Bryan Adams took over on lead vocals for that album.
ReplyDeleteI do like Nick Gilder - very underrated!
ReplyDeleteAny chance you could post the Sweeney Todd LPs?
@anonymous: Yeah i try tomorrow!
ReplyDeleteCheers
Frank