For their second album, Wake Up...It's Tomorrow, Strawberry Alarm Clock
built upon the solid writing and musicianship that inevitably carried
over from the Incense and Peppermints project. In retrospect, it is
baffling as to why they were relegated to the "one-hit wonders" file, as
their most social and musically relevant statements had yet to be made.
Stylistically, the material on this album vacillates between the
lighter and pop-oriented sides such as "Tomorrow" and the stunningly
agile vocal arrangements on
"Pretty Song from Psych-Out" to the
exceedingly ominous "Curse of the Witches" and "Nightmare of
Percussion." Howard Davis
-- whose spoken word narration can be heard during the latter track --
arranged some stunning vocal charts for "Soft Skies, No Lies," "Go Back,
You're Going the Wrong Way," and the "future" section of the "Black
Butter" trilogy. They are reminiscent of the tight harmonies
incorporated by Harpers Bizarre or the retro New Vaudeville Band. Conversely, "Sitting on a Star," "They Saw the Fat One Coming" (which refers to the infiltration of Roy Freeman,
a lyricist hired by the band's management), and the first two movements
in the "Black Butter" trilogy reflect the group's mod garage rock
roots. Here the band projects a more primal sound akin to People or the Chocolate Watchband.
Have fun
SB1
link in the comments



link : https://mega.nz/#!bxUTyDYA!eolx2onsiC3gvH_SqNKNfX1B-CMzVTtjoz7bWf7W5w8
ReplyDeletepass: SB1
Thank you. This band is way underrated, a common fate for bands who are best known for a single that doesn't necessarily represent who they are.
ReplyDeleteThanks love this band.
ReplyDelete