Like fellow Aussies the Sherbs, Zoot never escaped teen-star status. But as Zoot Locker proves, they were certainly adapt at churning out clever pop tracks. Because of their time period, Zoot
used every trick in the psychedelic book; but most songs maintain the
three-minute mark, resulting in shrewd and skewered singles much like the Move
delivered. Innocent innocuousness such as "Monty & Me" about
walking the dog or "One Times Two Times Three Times Four" seems unfairly
buried in the past. Of course, Beatles nods abound, such as the Lennon-isms
of "Hey Pinky." With this smoking version of "Eleanor Rigby" the
quartet attempted to jettison their early "pink" image, jumping aboard
the bizarre "heavy covers" bandwagon with Vanilla Fudge and Rare Earth. The Hollies
are another pervasive influence ("Flying" shares rhyme schemes with
"Dear Eloise" over a "Helter Skelter" riff) while "Mr Songwriter" echoes
the Byrds by way of Dylan. "Freak" foreshadows "Highway Star" and many Sweet moments. The informative liner notes guide the listener through this startlingly sterling posthumous collection, proving Zoot was much more than a mere launching pad for Rick Springfield and Little River Band.
For the release of Zoot's
inaugural single, "You Better Get Going Now," the band draped
themselves, as well as the gaudy Berties discotheque venue, in bright
pink. Pushing the slogan "Think Pink -- Think Zoot," the band would
later burn their pink suits and bare their backsides in an act of
defiance that ultimately was unable to resurrect their forever
pink-stained careers.
Forming in Adelaide, South Australia, in 1966 and calling themselves "Down the Line," a soon re-badged Zoot
achieved local fame on the dance scene before moving to Melbourne in
1968. Shortly after their pink-fuelled launch, their second single, "One
Times, Two Times, Three Times, Four," peaked at number 32 on the
Melbourne charts and the band began playing the Melbourne TV show
Uptight regularly. Their next single, "Monty and Me," hit number one in
Brisbane and the band, along with local contemporaries the Valentines, the Flying Circus, and New Dream, developed a strong teen following with their blend of disposable pop. Replacing guitarist Roger Hicks with Rick Springfield
saw the band's sound begin to mature, and they toured with the cream of
Australian pop on the national Operation Starlift Tour in September
1969. They ended the year by being voted Top Australian Group in Go-Set
magazine's Pop Poll.
Despite burning their former pink outfits for the
cameras and baring their backsides for Go-Set, their next single, "Hey
Pinky" (April 1970), failed to chart. Nevertheless, the band placed
second to the Flying Circus in Hoadley's National Battle of the Sounds final in July 1970 and released their debut album, Just Zoot, the following month. The band achieved their biggest hit with their next single, a cover of the Beatles'
"Eleanor Rigby," which peaked at number four on the national charts in
March 1971. The single later achieved gold status after being
re-released by EMI in 1979 and Zoot formed a reputation for performing heavy covers of well-known songs. Zoot's
next single, "The Freak," failed to achieve chart success and, still
haunted by their former teen-star status, the group disbanded in May.
Several of the bandmembers continued successful careers in music and
film, including Rick Springfield, who went on to achieve international success as a singer and actor in the U.S.
Very good sixties pop.
Enjoy it!
Frank
Flac1 &
Flac2 You need both Flac links!
mp3@320
Though the arrangements bear the
hallmarks of much British music of this sort from that period --
underwater-sounding distorted vocals, light orchestration, harpsichords,
high harmonies, images of royalty and childhood, blends of
hard-charging acoustic and electric guitars, a slight baroque classical
flavor, and an overall jovial bounce -- there's not much compelling
melodic substance. The uncharacteristically "Get Back Home" sounds a
little like the early (but still post-Denny Laine) Moody Blues when they rocked hard, and "Rainbow Rocking Chair" itself sounds like Majority One might have been listening to the airiest and poppiest late-'60s Pink Floyd
cuts (à la "Point Me at the Sky"). 
